Lusia Strus Quotes
Quotes to Explore
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Retiring for good wasn't difficult. I knew at the time it was right. I was no longer capable of achieving the standards I'd set myself and there was no light at the end of the tunnel.
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I went to this one in Ohio, and then I became a counselor there, and it was just the most fun thing. I was so depressed when I came home from camp.
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I love the look of full brows that aren't perfectly done - eyebrows on fleek: that's the goal.
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When I get into the studio, I write from my heart.
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I never wanted to be a millionaire. I just wanted to live like one.
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I've decided to run for the U.S. Senate because I believe Wisconsin families need a senator who will work hard to deliver results for the middle class - a leader with the courage to do what's right, no matter how tough the odds or how powerful the special interests we have to fight.
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It's something that I do every year - every Ramadan to be exact - taking an 18-hour flight back home to Malaysia from Los Angeles. I'm born and raised in Malaysia, and Ramadan and Eid has always been my favorite time of the year.
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I'd love to live in Ireland but I'd like to live as me, not what someone thinks I am. People don't understand - I lived there before I was famous.
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I love India.
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As athletes, we all have egos, we all think we can help, and when you're not given that chance, it's hard to watch.
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Hospice is such a tremendous thing. Patients seem to reach an inner peace.
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For me, one of the important things about keeping vocally healthy is warming up and making sure I'm aware where my voice is at, drinking lots of water and getting plenty of sleep, and just taking care of myself with exercise and eating healthy.
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I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?
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In order to maintain that fire for acting and capture its essence, you can't let yourself be concerned with what people have to say about you. You just can't.
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I had such an amazing experience on 'The Pillowman' that it was hard to think what else is going to live up to that.
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I don't use my body to seduce, no. I just stand there.
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If I didn't have my profession, I think I would be sitting in a nuthouse. But I have been unceasingly at work, and this has been very healthy for me. So I had no need for therapy.
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I would never shoot down any opportunity to challenge myself or stretch myself.
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The point is that I am such a big fan of Puccini and that Butterfly is the most difficult and complete role that you can imagine. Just to sing it with a good voice is not enough: it asks tears from your soul. I am very emotional on stage, and the music is so tender that I suffer for real when I am singing it. So I cannot do many performances.
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Getting the call to be in The Goblet of Fire was like being welcomed into the most exclusive upper circle of some elite actors' club. You sit on set with the cream of the National Theatre and the RSC, all clutching wands or wearing witches' hats.
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I was a handyman in an office building across from Penn Station for two entire summers while I was still in school and the summer after. I had to wear a big, gray jumpsuit kind of thing that had the name of the company in a big patch on my chest, and I was sent to fix things and didn't know what I was doing.
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I found golf was too time consuming, but I did enjoy it.
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I don't like stepping on other people's toes, but with my size 15 shoes, people step on mine sometimes.
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What I love about theatre is that it disappears as it happens.
