Anselm Kiefer Quotes
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The Germans always had difficulties with their identity. Either it was too much and too loud, or it was hidden and too subservient. The French always had a healthy self-confidence. When they spoke of a 'grande nation' it was not dangerous. De Gaulle could say on Martinique: 'Behind me is the ocean. In front of me is France'.
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When knowledge becomes rigid, it stops living.
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In 1968 the end of art was announced, but this was for political reasons and for the wrong reasons. At that time it was believed that as long as there were only formal relationships, one did not have to deal with a luxury such as art.
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I do not believe that there is an external element to be disrupted now. The situation is different from the period of the Dadaists. There is nothing to overthrow now, because everything has been co-opted. To be subversive now in the sense of Dadaism would be reactionary, because now it would be the attitude of model students..
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I perceive existentialism as a necessity of decision. This is the essential aspect of existentialism and simultaneously the most subversive factor..
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What fascinates me about Duchamp is the idea of tearing down the wall between the art object and reality.
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Kandinsky was connected with Die Brücke and the Blue Rider: they had a concept and created a reality. But I prefer Jean Fautrier French painter-artist; 1898 - 1965 with his suffering and self-absorption. And his purpose on bringing about changes was just as strong. As a result I see in Fautrier a stronger paradigm than in Kandinsky..
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What interests me is the transformation, not the monument. I don't construct ruins, but I feel ruins are moments when things show themselves. A ruin is not a catastrophe. It is the moment when things can start again.
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on becoming an artist It is my profession, yes to be an artist but a calling.. that a little bit pathetic, a little bit bombastic. I think it was much more natural.. .I Thought – when I was a child – the only method to be not in the world but outside of the world is to be an artist. I feel me outside, yes..
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Until the artist is dead, we are not able to determine his work in all its dimensions.
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Mondrian began with his paintings of the seashore, with blue trees and the cathedral. These paintings were totally symbolist paintings.. .Until the very end Mondrian remains a Symbolist and an Expressionist.