Charles Dickens Quotes
The evil of it is that it is a world wrapped up in too much jeweller’s cotton and fine wool, and cannot hear the rushing of the larger worlds, and cannot see them as they circle round the sun. It is a deadened world, and its growth is sometimes unhealthy for want of air.
Quotes to Explore
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'Skins' is about a group of teenagers in Bristol, and it's all about what they get up to and all the different things they do. I think it's a good show because it's come from a very real place, and there's a lot of young people involved in the writing.
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My first agent told me to change my name or I'd only play Jewish parts or Indians. Of course I refused to change it. Shortly thereafter she came up to me and told me I had to keep it, because her numerologist said it was very, very good.
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I acted at school but got very bad parts - things that they'd made up in Shakespeare plays like 'Guard 17' - so I wrote plays and gave myself parts, then I wrote sketches, then I did stand-up. Even in the school nativity I was the emu in the manger.
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Whatever you want to do in the industry, do it on the smallest level at first. If you want to be a writer, write a screenplay in your house. If you want to be an actor, put on a one-man show. If you want to be a stand-up comedian, go to an open mic.
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I grew and learned, journeyed and understood, that someone who is afraid of failing won't get anywhere, and someone who dares to do it runs the risk of failure if they don't learn, correct their mistakes, and get back up.
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Growing up, there were no families on TV that looked like mine.
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The more people pointed at me in scorn the more stubborn I got and when they began calling me the Bad Girl of West Seattle High, I tried to live up to it.
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Growing up in a small town gives you two things: a sense of place and a feeling of self-consciousness - self-consciousness about one's education and exposure, both of which tend to be limited. On the other hand, limited possibilities also mean creating your own options.
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It devolves upon the United States to help to motorize the world.
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I can sit and analyze everything and beat myself up and say you don't quite sing as good as you used to, you're writing better songs maybe than you used to, but to me it's just the journey.
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I tend to lean toward romance, characters, and relationships when I write, so I have to add to the setting elements and world-building when I revise.
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My time at Shell was a most valuable experience because it taught me to look at the world in a long-term way. Shell takes a 20-year view on events and plans for different scenarios. It makes you see the world as a kind of large matrix.
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I've not given up having a child. But I hope whatever route of parenthood I choose, whether it's adoption or I'm able to conceive, I just hope that I'm able to give someone as beautiful a life as my parents gave me.
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The world is the best of all possible worlds, and everything in it is a necessary evil.
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No one knows anything about the fashion industry in Brazil. They don't care what you do. They just want the beach and the sun and the fun. I feel the freest and the happiest there.
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Little progress can be made by merely attempting to repress what is evil. Our great hope lies in developing what is good.
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There's something to be said in favor of working in isolation in the real world.
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The fashion world is so interesting because it's always changing, but if you know yourself really well, despite of all the changes in the fashion trends, you know how to stay true to yourself.
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I've been doing morning pages: the first thing I do when I wake up is sit down and write three pages of whatever comes into my head. The more I do them, the more creative I get and the smaller my problems seem. I can turn something that I hated a few days ago into a short story or a song.
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Some days you must learn a great deal. But you should also have days when you allow what is already in you to swell up and touch everything. If you never let that happen, then you just accumulate facts, and they begin to rattle around inside of you.
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The Misfits skull was my second tattoo, and the Danzig was my third.
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I bear a deep red stain that runs from my left shoulder down to my right hip, a trail left by the herbwitch's poison that my mother used to try to expel me from her womb.
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The evil of it is that it is a world wrapped up in too much jeweller’s cotton and fine wool, and cannot hear the rushing of the larger worlds, and cannot see them as they circle round the sun. It is a deadened world, and its growth is sometimes unhealthy for want of air.
