Charles Dickens Quotes
The haggard aspect of the little old man was wonderfully suited to the place; he might have groped among old churches and tombs and deserted houses and gathered all the spoils with his own hands. There was nothing in the whole collection but was in keeping with himself nothing that looked older or more worn than he.
Quotes to Explore
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There are successful scholars, public-spirited scholars, upright scholars, cautious scholars, and those who are merely petty men.
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I don't believe in strong-arming people.
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I try never to focus on the radio, just find great songs, find emotion and just write the best songs you can. I think when you get fixated on trying to do something too accurate, it becomes more washed out and less what you intended it to be. So I think each time the challenge for me is to try and reinvent a little bit.
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The significance and volume of repairs that are needed across the country demand that we give state and local governments the long-term certainty they need to effectively execute these projects.
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I think God gives you all good things at the same time.
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The idea of exploring character relations and their development over a decade has to be appealing for any actor who cherishes his craft.
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Patriarchal religions, like Judaism and Christianity, established and upheld the 'man's world.'
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I found this out over the years, that racism is a thinly veiled disguise over economics and money. It really is.
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It was in the sugar hacienda in Negros, Panay and in Central Luzon where I saw the injustices heaped upon the sugar workers, particularly the sacadas, or seasonal workers.
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I'd like to actually work with a lot of other people, and whether it's someone who is completely unknown who I love and think is a talent, maybe I'll work with them, or, like, maybe I'll work with some of the biggest pop stars and write music for them.
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The historic terrain of macro-economic theory is the explanation of the levels and fluctuations of overall economic activity. Macro-economists have been especially interested in the effects of alternative fiscal, financial, and monetary policies.
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I have to take time occasionally to get away from the pressures of this business. If I don't, I think I would get stale, and that would show in my music.
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Now one thing I think is really lame, is if you're an artist and you go to a karaoke bar and sing your own song. I like to get up there and sing stuff that I would never sing on stage anywhere else. Like Neil Diamond.
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I can't say that I'm always writing in my head but I do spend a lot of time in my head writing or coming up with ideas. And what I do usually is write the music and melody and then, you know, maybe the basic idea. But when I feel that I don't have a song or just say, God, please give me another song. And I just am quiet and it happens.
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the urgent crowds out the essential.
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I hate it when people romanticize Scotland.
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So many different things make me come alive: performing for people, making people laugh, music and dancing or any kind of physical activity that gets me out of my head and into my body. I'm constantly inspired by my surroundings and people I see that are "killing it."
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All the rest of us - you and me and even the thousands of soldiers behind the lines in Africa - we want terribly yet only academically for the war to get over.
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I am a collection of thoughts and memories and likes and dislikes. I am the things that have happened to me and the sum of everything I've ever done. I am the clothes I wear on my back. I am every place and every person and every object I have ever come across. I am a bag of bones stuck to a very large rock spinning a thousand miles an hour.
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Following is one of the most underrated aspects of leadership.... I have seen many a good [military unit] underachieve, because someone...thought the commander was incompetent, and quietly worked to undermine his authority.
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The importance of immobility and silence to photographic authority, the nonfilmic nature of this authority, leads me to some remarks on the relationship of photography with death. Immobility and silence are not only two objective aspects of death, they are also its main symbols, they figure it.
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The haggard aspect of the little old man was wonderfully suited to the place; he might have groped among old churches and tombs and deserted houses and gathered all the spoils with his own hands. There was nothing in the whole collection but was in keeping with himself nothing that looked older or more worn than he.
