Anthony Burgess Quotes
Quotes to Explore
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I entered Yale in the fall of 1951, and about November of that year, Bill Buckley published 'God and Man at Yale.'
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Soap opera seems to be a dirty word, but actually they are the most popular shows we have.
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In terms of the pilot, you have to introduce a lot of characters in a very short period of time, and you have to paint with slightly broad brush strokes because you just need to give an audience an idea of who these people might be.
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Think big thoughts but relish small pleasures.
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I'm a good legislator. I'm a bad some other things.
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I'm not even allowed to sing in the shower at home. Too loud.
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We cannot be all the writers all the time. We can only be who we are.
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Honestly, I'm not a massive fan of courtroom dramas.
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We may not know the whole story in our lifetime.
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It's a great moment for Argentinean tennis, more on the men's side. I would like to see more on the women's side. I think we have to work a little bit more on that.
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I was one of the only ones there interested in acting. You find when you're doing school plays that a lot of people there were on punishment, or something.
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I grew up in a farm in South Africa and I was scouted there and they sent me to Europe. It's kind of been blessed, since then it happened all so fast.
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For the meaning of life differs from man to man, from day to day and from hour to hour. What matters, therefore, is not the meaning of life in general but rather the specific meaning of a person's life at a given moment.
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I remember sitting one time doing 100 interviews in a day, and they're all television interviews and they're kind of - and you just sit there and they bring these people in and out, and in out.
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I think when you get past your second album, it all becomes something of a routine. So you have to struggle against that, find a way of making what you do sound fresh and new each time.
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Reaganomics: You start a business in your parents' garage. Obamanomics: You move into your parents' garage.
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Time is the great legalizer, even in the field of morals.
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suggest that we think of theories as spotlight. this imagery is useful. a spotlight will only illuminate so much. wiht any theory there will always be the things that are left in darkness, still unexamined and unexplained. parsons referred to these as'residual categories'.
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It's more fun to have a name rather than a number. I think this gives our products a personality. I get the names from literature, movies, opera, traveling, nature, poetry, sometimes even the street. I keep a small book that I write in. I wake up in the middle of the night and jot down a name for a lipstick or an eyeshadow.
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You imagine that there's no use struggling against fate, that she will always have her way, no matter what we do. But don't you see? It's our very efforts to cheat fate, or to change it, that make things come to pass in the way they were meant to.
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My writing process is chaos. I usually start with an overarching theme. Then I establish several story threads, but I don't outline. I just start writing and keep notes for what may come. It's an organic process that's usually pretty flexible.
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I can't believe I'm actually saying this, but there is a difference between the John Cena character you see on television and me as a human being.
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As a kid, we had one television channel and a sad little roller rink. And there was not much else to do. So I used my imagination all of the time growing up. That's the main way I played. When we moved and I went to high school, I did my first play, and I was completely addicted to theatre. It felt like home; it felt natural.
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‘it excites the pancreas to fresh efforts’
