Claude Monet Quotes
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Colors pursue me like a constant worry. They even worry me in my sleep.
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Everything changes, even stone.
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It would be a very bad idea... to exhibit even a small number of this new series, as the whole effect can only be achieved from an exhibition of the entire group.
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I waited for the idea to consolidate, for the grouping and composition of themes to settle themselves in my brain.
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By the single example of this painter devoted to his art with such independence, my destiny as a painter opened out to me.
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Nature won't be summoned to order and won't be kept waiting. It must be caught, well caught.
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Work is nearly always a torture. If I could find something else I would be much happier, because I could use this other interest as a form of relaxation. Now I cannot relax.
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These landscapes of water and reflection have become an obsession.
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I don’t think I’m made for any earthly kind of pleasure.
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I do have a dream, a tableau of the bathing place of La Grenouillère, for which I've done some bad pochades (sketches), but it is a dream. Renoir, who have just spent a couple of months here, also wants to paint this subject.
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The more I live, the more I regret how little i know.
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I sometimes feel ashamed that I am devoting myself to artistic pursuits while so many of our people are suffering and dying for us. It's true that fretting never did any good.
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I say that whoever claims to have finished a canvas is terribly arrogant.
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Think of me getting up before 6, I'm at work by 7 and I continue until 6.30 in the evening, standing up all the time, nine canvases. It's murderous.
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Everyone discusses my art and pretends to understand, as if it were necessary to understand, when it is simply necessary to love.
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Impressionism is only direct sensation. All great painters were less or more impressionists. It is mainly a question of instinct, and much simpler than [John Singer] Sargent thinks.
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I am pleased with the exhibition... everything on display was sold for a good price to decent people. It has been a long time since I believed that you could educate public taste.
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I do what I can to convey what I experience before nature and most often, in order to succeed in conveying what I feel, I totally forget the most elementary rules of painting, if they exist that is.
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I'm not performing miracles, I'm using up and wasting a lot of paint.
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The effect of sincerity is to give one's work the character of a protest. The painter, being concerned only with conveying his impression, simply seeks to be himself and no one else.
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I didn't become one.. .As long as I can remember I've always been one.
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Color is my day-long obsession, joy and torment. To such an extent indeed that one day, finding myself at the deathbed of a woman who had been and still was very dear to me, I caught myself in the act of focusing on her temples and automatically analyzing the succession of appropriately graded colors which death was imposing on her motionless face.
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I felt the need, in order to widen my field of observation and to refresh my vision in front of new sights, to take myself away for a while from the area where I was living, and to make some trips lasting several weeks in Normandy, Brittany and elsewhere..
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When I work I forget all the rest.