Anthony Hopkins Quotes
If you do things, whether it's acting or music or painting, do it without fear - that's my philosophy. Because nobody can arrest you and put you in jail if you paint badly, so there's nothing to lose.
Quotes to Explore
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When you first hear Mozart's music, your first impression is that it's very alive, but if you peel away the layers, you can hear sorrow and sadness behind it, and that's what I try to be: multi-layered.
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The iPod made music mobile, but today, how many devices do you need to walk around with? You want it on just one. And inevitably that's going to be the phone.
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As you begin to realize that every different type of music, everybody's individual music, has its own rhythm, life, language and heritage, you realize how life changes, and you learn how to be more open and adaptive to what is around us.
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Each time I seem to go through one of life's huge things, I want to play music.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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I work on words quite separately to music. They're both ongoing, and I don't ever feel like I'm working in a cycle in that respect, because it's every day anyway, no matter what I'm doing. Then I get to a point when I've collected together enough words that seem like they want to be songs rather than poems, or sometimes not.
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I listened to country music my whole life. I started writing music when I was a teenager. It all came out country.
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I quit high school on my birthday. It was my senior year and I didn't see the point. This was 1962, and I was ready to make music.
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But anyone who knows anything about the music industry knows it's not only about the music.
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My personal hobbies are reading, listening to music, and silence.
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My music is a little dark, and my lyrics are a little darker. Every day, I'm fighting towards the light.
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My whole drive is to make sure that music is a common space where we search for beauty and share it. It needs to be louder than any conversation. That's where we have to go as a human race.
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Maybe in music you're making an auditory environment and maybe you change your environment around you to suit your own way.
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I first came to Russia because of the culture, literature and music... and my interest in the 19th-century revolutionary spirit of Herzen, Bakunin and Kropotkin. Russia is a wonderful place to bring new clowns because Russians give back a wonderful response.
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The biggest challenge or biggest crisis knocking on the doors of humankind is fear and intolerance.
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The world of classical music is so fascinating. It's a world that encompasses people from everywhere and erases the basic restraints of nationality; everyone is united by this common language of music.
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I was studying music in college. I was singing, I was doing operas and Gilbert and Sullivan operettas, and then I was offered a job as the music director of the Bigfork Summer Playhouse, in Bigfork, Montana.
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Textures apply to everything I do. Even within my music, I like smooth things, and then hard and fluffy things, all giving them their place to shine.
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For me, when working on a film or play or television show, everything for me starts with the screenplay and I am devoted to that and that is what I work from. Any research I do or any preparation I do on my own is all ultimately in service of that.
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I always wondered why there weren't any films about Cesar Chavez. There are movies about other civil rights leaders in this country, but why not Chavez?
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We can often do more by doing less. God is not particularly interested in quantity production. That is an American standard, not a Bible standard.
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Playing for England was one long roller-coaster: some ups and downs, but also quite a few moments when you're not really sure if you're enjoying the ride.
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If you do things, whether it's acting or music or painting, do it without fear - that's my philosophy. Because nobody can arrest you and put you in jail if you paint badly, so there's nothing to lose.
