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I often find that writers who disavow the importance of an ending are just not very good at endings.
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Be more ambitious. Do your homework. There's no easy way around this.
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Life is not a waste of time.
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You can't write a character more brilliant than yourself. It's just not physically possible.
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The people I'm drawn to are sort of self-created. They came from backgrounds where not much was expected of them, necessarily.
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I am so superstitious that I think even discussing this subject is dangerous and will probably bring me terrible luck. Having been raised a Catholic, superstition becomes almost part of your DNA. The challenge is to slowly rid yourself of these little delusions.
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As you get older, you become more vain. But as your looks slowly deteriorate, your eyesight worsens, so it all balances out.
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There is the cult of the actor and of the director, and there's even been the cult of the celebrity chef and gardener, but there has never been a cult of the screenwriter. But I'm happy about that because what I crave - in a completely venal way - is creative opportunities, not recognition.
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If you look at the copies of Churchill's speeches that have survived, they are heavily marked up. He was scrupulous about the impact of each word. He preferred short words and the repetition of short words. He knew everything about the techniques of rhetoric.
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It's impossible to make a living in the arts unless you make a fortune. There's almost no in-between. Writers are either broke or rolling in it. Oddly, you can't tell them apart.
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Most writers live in self-imposed exile, even when they don't leave their country. They prefer the undiscovered country inside their own heads.
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If we did not have the impulse and ability to believe in the impossible, we would not have religion, democracy, or marriage.