Beeban Kidron Quotes
Quotes to Explore
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You're never going to read 'The Wealth of Nations,' and you shouldn't, really. It's 900 pages.
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It's kind of amazing that people will travel because of a book. I admire that.
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You have family-owned businesses that have been around for 500 years. You cannot name a corporation that survives intact for even a few decades.
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I quit college. I was studying architecture for about a year.
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I don't see a white woman. I see a black woman, even though my mother is white. Knowing that has made my life easier, I think.
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We need to take music out of the ivory tower - both for musicians and for the public. Otherwise, classical music will not survive the 21st century.
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I'm a cynic about corporate democracy and boards.
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Creating a role is an interesting thing - each show or each situation is different.
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Pain is real when you get other people to believe in it. If no one believes in it but you, your pain is madness or hysteria.
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When you work as hard as you can and as much as you can to make your first album, and you don't make any money, then you change things.
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I was in law school at the University of Kentucky and realized I didn't really like law school, so I took a creative writing course for something different.
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I don't want to collect Indian art, though pots and beadwork and blankets made by Indians remain the most beautiful art objects in the American West, in my opinion.
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People come up and say, 'Hey, I know you!' They're middle-aged women and big burly guys. They say, 'Don't tell anyone, but I watch Felicity, and I think it's great.'
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The first term of the Clinton administration was very jolly. Everybody was running around meeting people and of course, in the second term, everyone went down the black hole, which also happened at the end of the Reagan administration.
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Our workforce is very co-operative, very flexible, easy to work with and one of the big selling points. The idea that Britain is still back in the labour market of the '70s is utterly bizarre.
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My whole life, I've always had to be surrounded by creative things. I find it relaxing to be in touch with creations by other people.
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Sometime early in life, I developed the notion - one which I have never relinquished - that writing a novel is the very finest thing a person can do.
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'Matterhorn' is my metaphor of the Vietnam War - we built it, we abandoned it, we assaulted it, we lost, and then we abandoned it again.
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Controversies are part and parcel of making a big film.
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The thing is, you never know with any movie how it's going to turn out. It's always a mystery - you'll do pages and pages of scenes that will never make it onto the screen.
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I really do believe we can stuff enough algorithms in a movie that only the dedicated hackers can spend the time and effort to try to plumb through those 1,000 algorithms to try to find a way to beat it.
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That's the thing about leaks: sometimes they aren't misinterpreted or false. They're real story elements that the filmmakers were hoping to introduce to the audience in a darkened movie theater.
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What's the shelf life of a 1931 movie? If it still exists, there will always be film buffs and a niche audience who will want to see it. But in terms of people even understanding in common usage, some of the words we use to describe these movies, I don't know how long that's going to last.
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Making a big commercial movie is hard when you think about how many of them flop.
