Beeban Kidron Quotes
Quotes to Explore
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You're never going to read 'The Wealth of Nations,' and you shouldn't, really. It's 900 pages.
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It's kind of amazing that people will travel because of a book. I admire that.
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You have family-owned businesses that have been around for 500 years. You cannot name a corporation that survives intact for even a few decades.
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I quit college. I was studying architecture for about a year.
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I don't see a white woman. I see a black woman, even though my mother is white. Knowing that has made my life easier, I think.
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We need to take music out of the ivory tower - both for musicians and for the public. Otherwise, classical music will not survive the 21st century.
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I'm a cynic about corporate democracy and boards.
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Creating a role is an interesting thing - each show or each situation is different.
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Pain is real when you get other people to believe in it. If no one believes in it but you, your pain is madness or hysteria.
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When you work as hard as you can and as much as you can to make your first album, and you don't make any money, then you change things.
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I was in law school at the University of Kentucky and realized I didn't really like law school, so I took a creative writing course for something different.
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I don't want to collect Indian art, though pots and beadwork and blankets made by Indians remain the most beautiful art objects in the American West, in my opinion.
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People come up and say, 'Hey, I know you!' They're middle-aged women and big burly guys. They say, 'Don't tell anyone, but I watch Felicity, and I think it's great.'
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The first term of the Clinton administration was very jolly. Everybody was running around meeting people and of course, in the second term, everyone went down the black hole, which also happened at the end of the Reagan administration.
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Our workforce is very co-operative, very flexible, easy to work with and one of the big selling points. The idea that Britain is still back in the labour market of the '70s is utterly bizarre.
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My whole life, I've always had to be surrounded by creative things. I find it relaxing to be in touch with creations by other people.
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Sometime early in life, I developed the notion - one which I have never relinquished - that writing a novel is the very finest thing a person can do.
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'Matterhorn' is my metaphor of the Vietnam War - we built it, we abandoned it, we assaulted it, we lost, and then we abandoned it again.
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It was he who impressed, time and again, the necessity of singing as nature intended, and - I remember - he constantly warned, don't let the public know that you work. So I went slowly. I never forced the voice.
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Well, there are certain foods that I prefer not to eat because they're just such a jolt to the system.
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I believe that art has been a vehicle for me that's been about enlightenment and expanding my own parameters, to give me courage to exercise the freedom that I have in life.
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I know kids who say they have nothing to do and then go plop themselves down in front of the television to watch a movie or play Nintendo or Xbox. I think there is nothing better for killing creativity and imagination.
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When we were shooting the movie, and of course in the editing room we had to make choices, but the shots fall almost exactly where we thought they would. They're not about content; they're never meant to be about what just happened. There's that weird phenomenon where the more you like a movie the more your mind wanders and goes all over the place.
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Making a big commercial movie is hard when you think about how many of them flop.
