Beeban Kidron Quotes
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I've lost count of the plane tickets I've had in my pocket for people's weddings and other celebrations which I've had to tear up because I was making a film. How many things like that can you miss and still be in people's lives?
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When I was 13, I had a weekend job at the Photographers Gallery Bookshop in London.
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I hate it when everybody thinks I'm a... what's the word, a marauding mother! It's bigger than that.
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I like the accidental nature of being in the real world.
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On telly, there's been a move towards entertainment - with some very high-powered, fast-moving dramas. Then we have the Internet, where we get our information but it's all in bite-size pieces. I think the documentary, as a form, actually speaks to what's missing.
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I don't see such a huge difference between online and 'in real life'. I think it has now become one and the same.
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I want to talk about privacy, the quality of the information you receive, whether it's neutral or commercial or pointed, bringing consciousness to the lack of neutrality in the algorithms.
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I come from the school who thought the Internet could be the great democratising force, that getting rid of the gatekeepers was a positive move.
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Life is really hard for some people.
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The Internet has crept up on us, and we need to know what it is and start looking at it. We have to decide which bits we want, which bits we don't, and how we're going to use them - and how we're going to put pressure on the people who deliver these goods to deliver what we really want.
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The thing I have come to find astonishing is that people from all political sides routinely say that the Internet has to be the model of free speech and freedom.
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I've walked down the street with Madonna, and I've walked down the street with Colin Firth, and it was a little bit more... with Madonna they were a little rougher, but they were all there for Colin. It was amazing. Women adore him. They swoon.
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The devices that our kids use are shipped from the factory with every possible audio, visual or vibration alert switched on. Each new app, website, tweet and message adds another layer of intrusion - each intrusion is cynically designed to get a response, and each response creates an appetite for another intrusion.
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From the moment I went to Hollywood for the first time, I was accused by various people of selling out. So I feel I've done my sell-out films already. I've sold everything! I've sold every piece of soul I ever had!
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Everything serious in the world is well approached by humour. It's a powerful and often quite subversive tool. I suppose there is an argument that could be made against me for being frivolous, but I do think a laugh is a very generous thing to give.
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When politicians say, 'Oh, parents should supervise their kids' Internet use,' it drives me crazy.
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Cinema is arguably the 20th century's most influential art form.
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I hope that every film I make has something to offer in the area of making people feel either vindicated or different in terms of who they are.
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We now have powerful technology, which allows us a voice across boundaries, which was unimaginable at the time of the Greenham Protest, a protest that pre-dates the Internet and the mobile phone.
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Whether in cave paintings or the latest uses of the Internet, human beings have always told their histories and truths through parable and fable. We are inveterate storytellers.
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We are increasingly offered a diet in which sensation, not story, is king.
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I am still cautiously hopeful about the potential of the Internet. But it seems that the greatest revolution in communication has been hijacked by commercial values.
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During my 'difficult teens,' I read about worlds that were mysterious.
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The Greenham women left home for peace: 'Not in our name!' they cried. And in doing so, they spoke for millions.