Beeban Kidron Quotes
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Life is really hard for some people.
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Everything a teenager does, says or looks at, however transitory, contributes to an aggregated virtual self that might one day have consequences for its real-life counterpart. How many of us would keep all our relationships and reputations intact if every transgression, mistake or youthful folly was held in public view?
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Cinema is arguably the 20th century's most influential art form.
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I like the accidental nature of being in the real world.
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When I was 13, I had a weekend job at the Photographers Gallery Bookshop in London.
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I am still cautiously hopeful about the potential of the Internet. But it seems that the greatest revolution in communication has been hijacked by commercial values.
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I hate it when everybody thinks I'm a... what's the word, a marauding mother! It's bigger than that.
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For me, trying to articulate the world to help people see it in a way they haven't seen it before is hugely important. Sometimes, you have to take something that is completely inexplicable and say, 'Look, here is the beating heart of something you must understand.'
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On telly, there's been a move towards entertainment - with some very high-powered, fast-moving dramas. Then we have the Internet, where we get our information but it's all in bite-size pieces. I think the documentary, as a form, actually speaks to what's missing.
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This idea of the digital native in the bedroom taking down a fascist regime and building a billion-dollar company is a very attractive image, but actually, if you look at the research, young people are on the lowest rung of digital opportunity.
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I don't see such a huge difference between online and 'in real life'. I think it has now become one and the same.
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The Internet has crept up on us, and we need to know what it is and start looking at it. We have to decide which bits we want, which bits we don't, and how we're going to use them - and how we're going to put pressure on the people who deliver these goods to deliver what we really want.
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Everything serious in the world is well approached by humour. It's a powerful and often quite subversive tool. I suppose there is an argument that could be made against me for being frivolous, but I do think a laugh is a very generous thing to give.
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The thing I have come to find astonishing is that people from all political sides routinely say that the Internet has to be the model of free speech and freedom.
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I hope that every film I make has something to offer in the area of making people feel either vindicated or different in terms of who they are.
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I want to talk about privacy, the quality of the information you receive, whether it's neutral or commercial or pointed, bringing consciousness to the lack of neutrality in the algorithms.
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The devices that our kids use are shipped from the factory with every possible audio, visual or vibration alert switched on. Each new app, website, tweet and message adds another layer of intrusion - each intrusion is cynically designed to get a response, and each response creates an appetite for another intrusion.
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What is the point of teaching how to analyse a poem or a piece of Shakespeare but not to analyse the Internet?
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I come from the school who thought the Internet could be the great democratising force, that getting rid of the gatekeepers was a positive move.
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From the moment I went to Hollywood for the first time, I was accused by various people of selling out. So I feel I've done my sell-out films already. I've sold everything! I've sold every piece of soul I ever had!
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When politicians say, 'Oh, parents should supervise their kids' Internet use,' it drives me crazy.
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Whether in cave paintings or the latest uses of the Internet, human beings have always told their histories and truths through parable and fable. We are inveterate storytellers.
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I've walked down the street with Madonna, and I've walked down the street with Colin Firth, and it was a little bit more... with Madonna they were a little rougher, but they were all there for Colin. It was amazing. Women adore him. They swoon.
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The Greenham women left home for peace: 'Not in our name!' they cried. And in doing so, they spoke for millions.