Behati Prinsloo Quotes
Quotes to Explore
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Not only is self-regulation largely a fantasy, but repeated scandals across multiple industries have proved that companies are fundamentally incapable of self-regulating for the greater good.
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I'm married. I've been with my husband for six years. Now that I know what a healthy relationship is, I find I can write better about the unhealthiness of relationships.
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In France, successive waves of Gaul, Visigoth, and Frank have swept over the land and have dominated it. But the fair hair and blue eyes and the clear skin of the conquering races have been submerged by the rising and overflow of the dusky blood of the original population.
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When people arrive at El Bulli, everybody goes through the kitchen. It's a way of making them feel at home. When they leave, the only thing I ask is whether they've been happy. Everything in between, I don't particularly care.
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Every group has its idiosyncrasies, but at a certain point we all are human.
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It's hard because I think I fall into this in-between space where there's something that's innately feminine about me, and there's also something that's kind of androgynous. I carry myself somewhere in between, and I think my music lends itself to that as well.
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A lot of things and a lot of money is involved in a movie. It is very upsetting when a movie doesn't fare well at the box-office.
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Playing Juliet in 'Heavenly Creatures' changed my life, and the role of Clementine in' Eternal Sunshine of the Spotless Mind' opened many new doors creatively.
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I've always kept a low profile, and I like it that way.
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I'll tell you something: my dad was a nuclear engineer and he was really bright, and I've always said that because of negotiating at such a young age with my dad, it was really such a gift because I could then negotiate with very difficult personalities - and not end up being the scapegoat. I learned to really pick and choose my battles.
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Sometimes I'm more stubborn than I am smart.
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Most cities have a centre surrounded by suburbs, but London has numerous centres: it's the model of a twenty-first century metropolis.
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I went down to Venezuela and ended up renting a helicopter and flew with my sons to the tops of the tepuis, these freestanding jungle mesas, 'lost worlds' as it were. In fact, it's almost impossible to access them without one. So we were able to land and spend some time there. We were trapped for about six hours by clouds that came in.
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Startups on the inside are always badly broken.
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My mum is a bit unconventional; she's outdoorsy and has more of an emotional intelligence, whereas my dad is pragmatic; he's a businessman.
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It's funny. Of all the jobs I've been ambitious for, this is one that never crossed my mind.
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Ironically, my paintings don't photograph well.
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The Sisters were Southern Baptist, and they went to church on Saturdays and Sundays, and most other days, too.
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I also use women as a sex object; maybe I'm kinky. However, I like to talk to them as well.
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The older I get, the more I realize that you don't have to be around people you don't want to be around, and you don't have to be in a situation you don't want to be in. You have the power to rise up and leave.
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And what has become of it, where is that onetime love? Now it is the grave of a bird, a drop of black quartz, a chunk of wood eroded by the rain.
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I was always a tomboy growing up in Africa.
