Anton du Beke Quotes
Because we had no money when I was growing up, when I started dancing, I wasn't allowed to be frivolous - my mum made me go to every lesson because she was paying for it.
Quotes to Explore
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I acted at school but got very bad parts - things that they'd made up in Shakespeare plays like 'Guard 17' - so I wrote plays and gave myself parts, then I wrote sketches, then I did stand-up. Even in the school nativity I was the emu in the manger.
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Creationists make it sound as though a 'theory' is something you dreamt up after being drunk all night.
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Ricky Martin is one of the artists I wanted to be growing up.
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Women don't give up things. They don't give up responsibilities. They add new things. They exhaust themselves and still don't give anything up. And. And. And. And. And they do all these other things at the same time, which can be exhausting.
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After I won the Newbery Medal for 'From the Mixed-up Files of Mrs. Basil E. Frankweiler,' children all over the world let me know that they liked books that take them to unusual places where they meet unusual people.
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In the 1970s in New York, everyone slept till noon. It was a grungy, dangerous, bankrupt city without normal services most of the time. The garbage piled up and stank during long strikes by the sanitation workers. A major blackout led to days and days of looting. The city seemed either frightening or risible to the rest of the nation.
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Put not your trust in money, but put your money in trust.
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When I have a bad day, I dream about opening up a gelato stand on the streets of Sydney, Australia. Doesn't everyone have a random escape fantasy?
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I'm not certain, but I have a little gypsy blood in me. And my mother always told me that her grandma could give someone the evil eye, and I'd better not cross her because she had some of that blood in her. Mother always believed that she could predict the future, and she had dreams that came true.
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I have vertigo. Vertigo makes it feel like the floor is pitching up and down. Things seem to be spinning. It's like standing on the deck of a ship in really high seas.
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I've been dancing since the age of two. I don't really remember it, because I was little, but my mom signed me up and would put me in cute costumes. A lot of little girls get into dancing, but I loved it so much that I kept doing it.
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I don't consider Los Angeles home anymore; ultimately, it was pretty negative, but I did spend my formative years in the Valley and all around L.A. proper. Through my teenage years and into my young adulthood, up until the age of 30, I spent a good amount of time there.
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I was a mixture of a country boy and a town boy, really. Chichester is a town on the coast of England, and I grew up all along that strip of coast that Chichester branches out into. Sometimes I was living in a house in the country, and sometimes I was living in a town.
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On set I keep myself to myself; I'd rather the director speak up. I'm not gonna direct a younger actor. I think the power of example works best, actually.
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My first encounter with Marx's writings came very early in life, as a result of the strange times I grew up in, with Greece exiting the nightmare of the neofascist dictatorship of 1967-74.
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People always think they're in the middle of a revolution while they tend not to realize the enormity of a change that has happened in the past. The telegraph was a revolution, but who looks at it that way these days? The telegraph sped up the transportation of messages over long distances by a huge factor.
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I grew up with three little brothers. Every Christmas, we'd have piles of toy trucks and Lincoln Logs and G.I. Joes under the tree. Those were for them. For me? My No. 1 favorite present of all time: books. Two or three tall stacks of wonderful stories that I could lose myself in for weeks.
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The amount of attention and sensitivity and education that we're getting in terms of specifically the transgender community is great, and certainly that's new to me. But it's not incredibly unfamiliar. I grew up in downtown New York in the '80s.
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My grandmother was always upbeat, a naturally happy person. I think I got that from her.
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Collaboration is just, really, a group of people getting in a room with their eye on a very similar prize and wanting to come out with the same show. The director, ultimately, is the guy in front of whom the buck stops. So, he has to have the courage to prevail. But, he has got to have a huge amount of respect for his collaborators.
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It is true that too many people are not getting a fair opportunity to get ahead. We must find ways to help them move up the economic ladder, and everyone - business, government, and nonprofits - needs to play a role.
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I have a record that I'm so very, very proud of, and no campaign is going to take that away.
Charles B. Rangel -
Because we had no money when I was growing up, when I started dancing, I wasn't allowed to be frivolous - my mum made me go to every lesson because she was paying for it.
