Antoni Tapies Quotes
In the potential of absurdity, hiding in the disparate combination of the various different subjects which in themselves are nothing but daily items equally in the exclusive representation of a normal item taken out of their usual context , is by far the most radical - in its effect comparable to a Japanese Zen koan - paradox to be witnessed, which modern art has produced, one of the most forceful impulses that generated from it.
Quotes to Explore
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I think you grow up every year, every day. You learn something new and try to really worry about what's important in life.
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There aren't traditions of freedom in a place like Iraq. They're going to have to come to grips with a concept that they hadn't been allowed to conceive before.
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I'll always be back to the stage. I have no doubt that the stage will always call me back. There will always be a character that no one else can play, and I'll be back to play it.
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'The more expensive the better' is kind of the American way, and if you spent $600 for a sweatshirt, then that makes it better.
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I weighed 25 stone, and I didn't stand nine feet tall, so the weight didn't sit well on me. As big as a house? No. I was as big as an estate.
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Each of our 900 shows so far was different - maybe that's what makes the fans come back to our gigs time and again. And that they're always part of the show. Phish concerts are a communal experience.
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I guess I'm lucky that I've been able to play a wide range of parts and a wide range of types of productions - I haven't felt much typecasting.
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As feminism becomes more integrated into mainstream publications and conversation, I feel weary of an obsession of celebrity culture masquerading as activism or as conversation or action. It's clickbait.
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Everything's so accelerated now.
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I'm addicted to 'Scandal.' Joe Morton is the devil, and I love him. I am addicted to 'Boardwalk Empire.' Jeffrey Wright is the devil, and I love him.
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Apparently, Daniel Craig said I'd be a great Bond. Daniel, why did you say that? Dropped me right in it! What an honor it would be, but also, what an indication of change.
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My uncles and other relatives are against encouraging girls in every aspect, and that includes sports. I hardly interact with them. My parents are more open. They back me all the way.
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I wrote 'Buried Child' in a trailer at an old ranch house we had in California.
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If my client calls me and says, 'I'm going to a friend's premiere,' I'll say, 'Come over and let's do something cute.' And I won't bill them for that.
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Power in politics, sovereignty in America is with we the people, and that is the path to turning this country around: empowering the people.
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All I did was ask for rights. I didn't attack anyone. I didn't harass anyone. I didn't oppose the system or the country or the authority. All I said is, 'Why can't I drive?'
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How will we defend ourselves if the Patriot Act expires? Well, perhaps we could just rely on the Constitution and demonstrate exactly how traditional judicial warrants can gather all the info we need - and how bulk collection really hasn't worked.
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I looked around and couldn't believe no one has written a show about women and eating. It's the biggest issue women have.
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I like to paint and spend a lot of time doing art. For me, it's about hearing yourself and putting it out there as art. It's like a therapy thing.
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On the environment and climate change, I suspect that future generations will think there was too much timidity, too much fear of upsetting business. Basically, New Labour was very nervous about regulating business, or requiring it to do anything, even when there was a very clear social or environmental case for doing so.
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In television there are only about 12 people who do what I do.
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Let yourself go. Pull out from the depths those thoughts that you do not understand, and spread them out in the sunlight and know the meaning of them.
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In the potential of absurdity, hiding in the disparate combination of the various different subjects which in themselves are nothing but daily items equally in the exclusive representation of a normal item taken out of their usual context , is by far the most radical - in its effect comparable to a Japanese Zen koan - paradox to be witnessed, which modern art has produced, one of the most forceful impulses that generated from it.
