Antony Beevor Quotes
Restorers of paintings and pottery follow a code of conduct in their work to distinguish the original material from what they are adding later.
Quotes to Explore
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I've always been proud that my name stands for peace.
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Men whose sense of taste is destroyed by sickness, sometimes think honey sour. A diseased eye does not see many things which do exist, and notes many things which do not exist. The same thing frequently takes place with regard to the force of words, when the critic is inferior to the writer.
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If you think Wall Street has a short memory, you're dead wrong. No, the folks who work on Wall Street, regulate Wall Street - and, above all, invest in its wares, notably its hedge funds - don't have a bad memory. They don't have any memory at all.
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What I'm trying to do is save and rescue the country if I can, and I'm doing my best to do it.
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In my situation, every time I write a sentence, I'm thinking not only of the people I ended up in college with but my siblings, my family, my school friends, the people from my neighborhood. I've come to realize that this is an advantage, really: it keeps you on your toes.
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The first man to compare the cheeks of a young woman to a rose was obviously a poet; the first to repeat it was possibly an idiot.
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It is not only our duty but our moral obligation to break from the oppression of debt. We must rise above the political considerations and do what is right for the future of our nation.
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Here's how I work: It's 2013, and most marketers are operating like it's 2009. I'm always trying to market like it's 2015, but not like it's 2020. A lot of my contemporaries who understand where the world is going, go too far out, and aren't practical. I have always prided myself on being visionary, with a heavy practicality.
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People in their 70s can still have incredible lives. Health is the most important thing.
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I'm a child of the Women's Movement. I always believed that I could do anything. That women didn't have to be limited in any way.
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I would literally have to go meet people so they could see I didn't have big red hair and wear high heels constantly. It was just really ingrained in people.
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No day is similar to another, but usually mail is part of my start of the day. Our company never sleeps: we have business in 180 countries, so there are no real mornings or nights.
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I never, never thought one day I will sing at La Scala or I will get the Grammy. I'm lucky. I work a lot with a teacher, with my coach.
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My best time is a 3:20 in Paris in 2010, and I trained to try for a 3-hour marathon in New York, but Hurricane Sandy hit, and it was canceled.
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I went to my mum at about seven or eight and said I want to start acting, but the week before, I had said I wanted to do ballet. She said if I took acting classes for a full year, she would look further into it, and that's how it started.
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If you only write when the muse strikes, you won't get anything done. You have to write consistently, when your schedule says you should. And that's hard.
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'Blood Meridian' was without question the novel that made me want to become a writer.
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I could probably name thousands of albums that I want.
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If I was being paid thirty-thousand dollars a year, the very least I could do was hit .400.
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When I was diagnosed, I believed my illness would be my great, lifelong weakness. Bipolar disorder was to be my impenetrable prison, and I would be locked up with it in a castle Princess Toadstool style. Thinking there was no way out, I let it consume me.
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This is my letter to the World That never wrote to Me - The simple News that Nature told - With tender MajestyHer Message is committed To Hands I cannot see - For love of Her - Sweet - countrymen - Judge tenderly - of Me
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As a tennis player you can win and you can lose, and you have to be ready for both. I practised self-control as a kid. But as you get older they both - winning and losing - get easier.
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I wonder if a single thought that has helped forward the human spirit has ever been conceived or written down in an enormous room.
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Restorers of paintings and pottery follow a code of conduct in their work to distinguish the original material from what they are adding later.
