Ben Affleck Quotes
I started as a child, in this PBS series 'Voyage of the Mimi,' which led to driving down to New York for 'Afterschool Special' auditions, which led to moving to Los Angeles. I wanted to be an actor. But in L.A., I got into film technology, and I was building cheap editing systems and would edit my friend's acting reels.
Quotes to Explore
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I am a Buddhist.
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There's a big link between trains and film. One of the first filmed objects was a train. The clickety-clack of the projector and the clickety-clack of the train are similar. There is the idea of the voyage - every voyage is a story. I wonder if film would have been invented without the train.
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Really? Worst film you ever saw. Well, my next one will be better. Hello. Hello.
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Our brains are very animal but also very strange and egotistical. We're narcissistic.
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One of the things that has been very difficult in Libya is the sense of uncertainty - the sense that they haven't actually finished the revolution, that there was still a great deal of uncertainty. That uncertainty has made Libya harder for business in terms of oil and other things as well.
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Growing up in the public spotlight and having insecurities like every other girl, I really know what it's like to feel self-conscious.
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I've never, ever done a piece of work - and can't imagine doing a piece of work - when I've thought, 'I was pretty perfect in that.'
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I wrote The Green Eye of the Little Yellow God in five hours, but I had it all planned out. It isn't poetry and it does not pretend to be, but it does what it sets out to do.
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If you are a writer or any kind of artist, if you change something as fundamental as where you live - the way you live - then I think you change the very instrument that is trying to make the art.
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If we really want to cherish religious freedom, people who want to believe that same-sex marriage should take place, they have a right to believe that, and people who want to believe it's inappropriate, we should not demonize those people - if we really believe in religious liberty.
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I used to be a professional kiteboarder. People were like, 'Oh, my God, are you scared of sharks? Are you scared of injuries?' You can't be scared. If you're scared, then you can't do it. You can't train to be the best.
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Beijing was such a different city. There were so few cars, I could walk in the middle of the road. In the summer, the streetlamps attracted swirling bugs. I loved those bugs: crickets, praying mantis, all kinds of beetles. I also have a vivid memory of dazzling sunlight coming out of the sky.
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I think television has betrayed the meaning of democratic speech, adding visual chaos to the confusion of voices. What role does silence have in all this noise?
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The best migrant is the migrant who does not come.
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If I had Instagram, it would be pictures of my son, who is a cat.
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In Hollywood, the women are all peaches. It makes one long for an apple occasionally.
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I'm a very proud actor.
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In writing lyrics - well, for me, anyway - it's about getting into character, you know? 'Who is writing this?' In the case of the original 'Thick As A Brick,' supposedly a precocious, very young child who's fantasizing about his future and the context of all the confusing elements to which school boys are subjected at that time.
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We mixed the sounds ourselves. If they were going to put the sound back onto our film [Pink Floyd: Live at Pompeii.], we wanted to mix it ourselves.
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That's a KORTAN DAHUK. That's the first alien we see in the film Valerian. That's another artist. The first one was Chinese, the one with the space station. This one is American. Personally, that's my favorite alien. I love him. I love his profile and his face. There is such a sweetness and almost a sadness in his face.
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Democracy can hardly be expected to flourish in societies where political and economic power is being progressively concentrated and centralized. But the progress of technology has led and is still leading to just such a concentration and centralization of power.
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I don't want to play sex roles any more. I'm tired of being known as the girl with the shape.
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I started as a child, in this PBS series 'Voyage of the Mimi,' which led to driving down to New York for 'Afterschool Special' auditions, which led to moving to Los Angeles. I wanted to be an actor. But in L.A., I got into film technology, and I was building cheap editing systems and would edit my friend's acting reels.
