Ben Affleck Quotes
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You know George M. Steinbrenner III is the center of all evil in the universe.
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Studios are used to have an investment in you, an actual, literal investment in an actor. You paid them some money, you had a contract with them and you were almost like a commodity.
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No matter how much you change, you still got to pay the price for the things you’ve done.
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After 2000 or so, I started to realize I wanted to be doing something else. I didn't want to be in front of a camera. I was frustrated. I didn't think I would stop acting, but I didn't want to be seen.
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I thought I could rely on the plot in the novel and fill in the colour between the lines, but I made a mistake with that assumption. It was really, really hard because you pull a few things apart and then you realise how everything relies on everything else and it can all fall apart.
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It's been reinforced to me, and it's a little cliche, but I've learned that you can't make a movie that even works, much less that's good, without really good writing and really good acting. That lesson has led me to not be distracted, so much, by the other stuff going on in filmmaking and to focus on the essence of a story, and the words and the events and the way that those are interpreted by the actors. That philosophy has taken me to a place that I really like.
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If I could be somebody, it'd definitely be Brad Pitt. I love the way he looks.
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I think we all like to see ourselves as good dads, but there's also that fear, 'Oh, I don't want to be like my father,' or, 'I hope my kid doesn't turn out like me.' You know, I have those feelings too. So the key is optimism.
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Sometimes it's Britney Spears and sometimes it's Carrie Fisher. I can't tell if I've got a Lolita complex or an Oedipus complex.
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We wanted to show people what it was like in one of those neighbourhoods that they would never have access to, in bars that they would be too scared to go into, and a world that they would never get to see. All of that is something really unusual and rare and kind of fascinating. And the only way to do that and to make it really worthwhile was that it had to be authentic. We dedicated a lot of time and energy to making that right and real. So we found basically the worst locations that we could.
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I want to thank my wife who I don't normally usually associate with Iran. I want to thank you for working on our marriage for 10 Christmases. It's good. It is work, but it's the best kind of work, and there's no one I'd rather work with!
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Jackson said, laughing. ''You're both up against a deadline.
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I like that best as I am so hairy.
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I started as a child, in this PBS series 'Voyage of the Mimi,' which led to driving down to New York for 'Afterschool Special' auditions, which led to moving to Los Angeles. I wanted to be an actor. But in L.A., I got into film technology, and I was building cheap editing systems and would edit my friend's acting reels.
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Directing is monumentally complicated and it's a function of all the time you pay to it. I think it would be great to do a movie I'm not in, I could just eat Fritos and just say, 'yeah, it's good!' Some day.
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I dyed my hair for photo tests... I kept it because when am I ever going to be blond again?
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There is nothing worse that a thirteen-year-old boy. You're embarrassed by your parents, and you're trying to find your independance because, deep inside, you are so dependent on your mom.
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One of the differences between now and then is that the idea of body image is a much bigger issue now. Back then, just being kind of heavy and barrel-chested passed for heroic. Now, you wouldn't dare to play a hero without a lot of dieting and various specialised abdomen machines. But that was one of the things which was interesting about it and I did want to portray because there's good and bad.
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You don't know what the pattern of flour and chicken is going to be, but you know you're going to get some good fried chicken.
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It doesn't matter how you get knocked down in life, because that's going to happen. All that matters is that you gotta get up.
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You're basically the sum of all the experiences you've ever had, and they're sort of shaken up in you and reproduced in the things you create, and that includes seeing movies.
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One of the things it channelled in me was that experience that I'd had of wearing a big red leather thing on my upper torso in Daredevil with a mask I couldn't see through and an outfit that completely inhibited movement, feeling humiliated and like a fool. I just recalled that.
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I don't want to jump off the roof or jump for joy depending on my movie reviews, or whether it makes money. I think the larger, more meaningful things are family and the people you love.
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I am a first-time director given an opportunity to pursue an artistic ambition I would not likely have the chance to elsewhere. The budget is excruciatingly tight, I am regularly abused and I expect to be fired sometime before we shoot. It's nice to see that, at Miramax, continuity has been maintained.