Ben Affleck Quotes
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I am a first-time director given an opportunity to pursue an artistic ambition I would not likely have the chance to elsewhere. The budget is excruciatingly tight, I am regularly abused and I expect to be fired sometime before we shoot. It's nice to see that, at Miramax, continuity has been maintained.
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Jackson said, laughing. ''You're both up against a deadline.
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People think you have this exciting and romantic life, because you project this exciting, romantic life on screen. But in reality you're just doing the same thing as everyone else - you know, sitting around watching TV with your gut hanging out, playing with your kid, or even sitting on the toilet. You know what's weird? Even I'm not that interested in my personal life any more.
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One of the ways that I could contribute was to shill some memorabilia, and the other was to talk to you and try to get people to pay attention to this auction.
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I don't want to jump off the roof or jump for joy depending on my movie reviews, or whether it makes money. I think the larger, more meaningful things are family and the people you love.
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In our culture, we get very much into shorthanding people. And I got shorthanded as That Guy: Jennifer Lopez, movies bombed, therefore he must be a sort of thoughtless dilettante, solipsistic consumer blahblahblah. It's hard to shake those sort of narratives.
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I want to thank my wife who I don't normally usually associate with Iran. I want to thank you for working on our marriage for 10 Christmases. It's good. It is work, but it's the best kind of work, and there's no one I'd rather work with!
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On playing Batman and his daughter: If I was doing the sequel to Frozen I would be a hero. My two older daughters could give a sh-t about Batman and they've now passed that affection onto my son. He's always like, 'Papa, can I watch Frozen?' And I'm like, 'No, dude, it's not on again!'.
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There is currency to celebrity, or celebrity is a currency... You can spend it in a lot of ways, or you can squander it. You can be taxed, as well. I really started thinking long and hard about how to use that currency as long as I had it.
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Its not who you love. Its how.
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You're basically the sum of all the experiences you've ever had, and they're sort of shaken up in you and reproduced in the things you create, and that includes seeing movies.
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Would make a superb public candidate for public office in the future.
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One of the differences between now and then is that the idea of body image is a much bigger issue now. Back then, just being kind of heavy and barrel-chested passed for heroic. Now, you wouldn't dare to play a hero without a lot of dieting and various specialised abdomen machines. But that was one of the things which was interesting about it and I did want to portray because there's good and bad.
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This is a second act for me, and you give me that. I wanna thank you for this. I'm so grateful and proud. I just wanna to dedicated this (the award) to anyone else out there, who is trying to get a second act, because you can do. (Speech after receiving the British Academy Film Awards for the Best Director)
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I never know what my next move will be in Hollywood. It's such an unpredictable town. People get jaded and lost and I've been able to stay a float. I think the next logical step in my career would be to start my own filmmaking empire like (Harvey Weinstein) and (Bob Weinstein) did so many years ago. I think if only the unions weren't so strict in Boston, I'd set up shop there and make films of a certain quality you don't see represented these days. I'm full of ideas and dreams.
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You can say what you want about me. You can yell at me with a video camera and be TMZ. You can follow me around and take pictures all you want. I don't care.
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I like acting for myself as a director. I act and I know that I'll have a chance to have some say in what gets used and that I'll be able to give myself enough takes and be on the same page as myself about how the scene should play.
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When you hire great actors, you're lucky, so you just try to create an atmosphere where they can succeed and relax and take risks. You're happy that you get to watch them at the monitor and that your name is on the director's chair.
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Clearly, there's a real onus on you to do something correctly when everybody, at least in the United States, had a really clear, specific idea of what this guy looked like - and even more so, what he looked like as Clark Kent and as Superman. You have this whole vast audience of people who would be acutely aware of any deviation whatsoever and probably holding you to a slightly higher standard as a result.
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One of the things it channelled in me was that experience that I'd had of wearing a big red leather thing on my upper torso in Daredevil with a mask I couldn't see through and an outfit that completely inhibited movement, feeling humiliated and like a fool. I just recalled that.
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I got into acting as a young child on account of a sort of arbitrary thing. A friend of my mom's was a casting director, so really, as kind of a lark, I had a couple of acting jobs that had just enough exposure to give me the option to continue if I wanted to. I followed through with it.
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Studios are used to have an investment in you, an actual, literal investment in an actor. You paid them some money, you had a contract with them and you were almost like a commodity.
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I thought I could rely on the plot in the novel and fill in the colour between the lines, but I made a mistake with that assumption. It was really, really hard because you pull a few things apart and then you realise how everything relies on everything else and it can all fall apart.
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You don't know what the pattern of flour and chicken is going to be, but you know you're going to get some good fried chicken.