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I have a theory: I believe that with the advent of the United States and the lawful definition of marriage, it was defined as between one man and one woman. It was anti-polygamy, in effect saying no man can hoard his women.
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I was just very into things that were the opposite of what other people liked. I didn't want to listen to music that I could find at a friend's house. My identity was really forged around that, and you know, eventually that kind of identity gets dismantled and fed to the vultures. But I was somehow on my own mission.
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The things that keep me awake at night are things like textures and instrumentation and plotting out what things are going to do and what the sounds are that I'm trying to capture.
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At 35, I'm thinking, Oh, I don't have any of that initial inspiration that I had before, all that angst. I always thought I would burn out very quickly.
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I'd like to be seen as a normal, attractive person with good values.
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I think about music in the way that I heard music as a kid - like, Oh my god, there's this weird rubbery ball of undulating things.
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For me, self-gratification eventually took a backseat to trying to do something collaborative with other people, to trying to make something new.
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I'm always gonna be in opposition no matter what, but I can still cover my bases and do what I like.
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I look suspicious if I dress in sort of benign clothes, going to the airport.
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Maybe by making people feel uncomfortable, I tap into that uncanny quality that is a part of the scariest, weirdest things that you remember happening to you when you were a kid.
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I think I've been lucky enough to have had an extended adolescence. I'm a lot like I was when I was 15.
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That's really what keeps me playing live - appreciation. And I guess I've made a lot of wiggle room for myself to try different things and discover what I'm doing, and the audience accepts it.
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Confidence was never in short supply in my case. If anything, I think I overshot the mark with confidence way too early in my career, and gradually, it's about just getting more humble and wanting to sit down more.
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I sang "Patience" by Guns N' Roses for my sixth grade talent show and I wanted to be an actor when I was younger. It was all very, very theatrical. It was only later that I separated the two and thought of myself as quite the opposite of an actor.
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If you spend the first 30 years of your life only trying to look good, you're not going to know yourself very well. If you got it, flaunt it.
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I hate not understanding the words, because it kind of squashes the song. It shrinks the visual landscape that you've made for the sounds. And, all of a sudden, the content eclipses things.
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I remember being very psyched for our first tours, despite not knowing about the endless stream of situations and setbacks that we'd face.
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I don't want any injustice brought against the bullies. Bullies just don't know any better. Anyone who is crying about police brutality or victimization as an adult needs to stop it and realize the privileges we have in this country.
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The early pictures of me you see online, in just T-shirts and hoodies - I'm still that guy with the hoodie. But what you don't get to see in most of those pics is that I had these red clogs on that had, like, eyeballs on the ends of them that I drew on. That speaks a little bit more to what I was going after, stylistically.
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I probably would never be caught wearing a baseball cap. Hats are difficult to me because they tend to be too big for my head. They don't fit right, and I feel ridiculous.
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People should be more passive with what they consider trustworthy.
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Everything comes with hard work. You never get to stop working. I don't see myself ever getting comfortable enough to not have to worry about working.
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Talk about a struggling artist having to work against enormous odds ... But I love movies so much, so I'm going to do it.
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Oh, I had my gothy phase, but I was never a troublemaker or anything like that. I was a little bit introspective, a little bit morbid. I was small for my age, so I was bullied and that kind of stuff.