Armando Iannucci Quotes
When you do a movie as opposed to a TV show, it's always tempting to think everything has to be big and exaggerated and spectacular. And in fact, a lot of the funniest comedy films have been very intimate.
Quotes to Explore
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I started getting really interested in comedy when I was in middle school.
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I made my first movie when I was five.
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Adam Sandler is a remarkable movie brand.
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One minute, it seemed I had more movie offers than I could handle; the next – no one wanted me.
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When you work on a movie, especially an independent movie, it's a lot of work to make it! It's not just our job as actors - so many people are working so hard, and even the littlest movie takes a lot of work.
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One of my main weaknesses is a good movie. I'll just bawl my eyes out.
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I am trying to do comedy on every single medium. I consider myself a public servant.
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It was really really neat to make the movie because there were mentally challenged actors in the movie. So that was really really cool to work with them and they were always really happy, and they made everybody really happy on the set too.
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I think I would have been so much in awe of the movie set, the people and what everybody's job was, that I don't know if I would be able to concentrate on the character.
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If I ever have children of my own, they will read 'Matilda.' They will watch the movie. And you can bet they will see 'Matilda: The Musical.'
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The process of making a movie is what I love. I thrive on that. It's an exciting miracle, a mad adventure. I love being part of it.
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I like to do comedy. It's my real passion. I want to make people laugh.
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I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.
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Now, I just made an animated movie a few years ago, 'The Tale of Desperaux', and that had twelve hundred shots in it. Twelve hundred CG shots is a pretty big plan.
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One movie is only one movie. I want to have a lifetime of making films.
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After you do this for a while, you get used to things not working the way you want them to. There's a job you want, and you don't get it. There's a movie you'd like to get made, and it doesn't get made. You become inured to it.
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If people are talking about your movie and they're like, 'Yeah, it was ok' - that's the last reaction I would want! I would rather people would say, 'Oh, I hated it!' or 'I loved it!' rather than 'Oh, it's ok.'
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'Jaws' was the ultimate man vs. nature movie, and it was a movie that was basically three people against the elements, so that was the biggest influence on 'Frozen.'
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People are paying a premium to see movies in 3-D, and that's a very big deal. It's never been done before that someone says you have to pay more to see 'Spider-Man' than a romantic comedy.
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You don't make movies to be art movies. You make movies that move you emotionally because if you're going to commit five years of your life to a movie, you need something to keep you going.
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'Wuthering Heights' was not your normal type song - but that's why it was so brilliant. It was something out the norm. When something like that comes along, they don’t come along that often. When does the next Kate Bush come along, after Kate Bush? There hasn’t been one.
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I don't need to worry about being idolised.
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In northern architecture - the cathedrals of Europe and all the little churches - the details, the carving of stone, become necessary because the light is not there to help you very much. You have to enrich surfaces. The desert reduces form to its simplest nature. There is no need for gargoyles or flying buttresses in the desert.
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When you do a movie as opposed to a TV show, it's always tempting to think everything has to be big and exaggerated and spectacular. And in fact, a lot of the funniest comedy films have been very intimate.
