Marcel Proust Quotes
A work should convey its entire meaning by itself, imposing it on the spectator even before he knows what the subject is.
Quotes to Explore
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No one today knows what is indecent.
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He to whom the present is the only thing that is present, knows nothing of the age in which he lives.
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You know, I've been playing with my hair color ever since I was nine.
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I don't know many people who don't have somebody in their family who's a part of the gay-lesbian-bisexual-transgender community. It's not like they're aliens or outsiders. This is family.
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I don't know karate, but I know ka-razy!
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The less you know about me the easier it is to convince you that I'm the character on screen.
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I dont play villainy. I wouldnt even know how to play it.
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There's something really incredible about watching what someone else does with a role that we know: the Hamlets or the Henry Vs or the Othellos or the Cleopatras that we've seen on stage.
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As every real estate agent knows, a poor house in good surroundings will sell for a higher price than a better house in poor surroundings, and in a town they confidently ask 25 percent more rent for a flat with a view of a park that for an identical flat with no view.
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True confidence leaves no room for jealousy. When you know your are great, you have no need to hate.
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You want to know what scares people? Success.
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The Twenties have this sort of attitude where you never know whats around the corner.
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It is our function as artists to make the spectator see the world our way not his way.
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Why leave the nut you got for one you don't know?
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People know that I'm going to do what's right.
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Why is it that what we do know can save us, but what we don't know can kill us?
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I once woke up at a random guy's house and i didn't actually know who he was.
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I'm shy to call myself a director still. When someone says, 'What do you do for a living?' I don't know if I've earned that.
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Happiness is not a sign that we are right with God; happiness is a sign of satisfaction, that is all, and the majority of us can be satisfied on too low a level.
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Real listening is a willingness to let the other person change you.
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A work should convey its entire meaning by itself, imposing it on the spectator even before he knows what the subject is.
