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Thanks to art, instead of seeing one world, our own, we see it multiplied and as many original artists as there are, so many worlds are at our disposal.
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We strive all the time to give our life its form, but we do so by copying willy-nilly, like a drawing, the features of the person that we are and not of the person we should like to be.
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Error, by force of contrast, enhances the triumph of Truth.
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All the mind's activity is easy if it is not subjected to reality.
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People wish to learn to swim and at the same time to keep one foot on the ground.
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For women who do not love us, as for the "disappeared", knowing that we no longer have any hope does not prevent us form continuing to wait. We live on our guard, on watch; women whose son has gone asea on a dangerous exploration imagine at any minute, although it has long been certain that he has perished, that he will enter, miraculously saved, and healthy.
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The time at our disposal each day is elastic; the passions we feel dilate it, those that inspire us shrink it, and habit fills it.
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... But all the feelings that evoke in us the joy or the misfortune of a real person are only produced in us through the intermediary of an image of that joy or that misfortune; the ingeniousness of the first novelist was in understanding that, in the apparatus of our emotions, since the image is the only essential element, the simplification which consists of purely and simply suppressing the factual characters is a definitive improvement.
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There are mountainous, arduous days, up which one takes an infinite time to climb, and downward-sloping days which one can descend at full tilt, singing as one goes.
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Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.
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The true end of education is not only to make the young learned, but to make them love learning; not only to make them industrious, but to make them love industry; not only to make them virtuous, but to make them love virtue; not only to make them just, but to make them hunger and thirst after justice.
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Wars are fought for the benefit of oligarchs, triumphs bought with the blood of peons.
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One becomes moral as soon as one is unhappy.
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A work in which there are theories is like an object which still has the ticket that shows its price.
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May you always see a blue sky overhead, my young friend; and then, even when the time comes, as it has come for me now, when the woods are black, when night is fast falling, you will be able to console yourself, as I do, by looking up at the sky.
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We exist only by virtue of what we possess, we possess only what is really present to us, and many of our memories, our moods, our ideas sail away on a voyage of their own until they are lost to sight! Then we can no longer take them into account in the total which is our personality. But they know of secret paths by which to return to us.
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For neither our greatest fears nor our greatest hopes are beyond the limits of our strength--we are able in the end both to dominate the first and to achieve the second.
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According to a charming law of nature which is evident even in the most sophisticated societies, we live in complete ignorance of whatever we love.
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It is a mistake to speak of a bad choice in love, since, as soon as a choice exists, it can only be bad.
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Three-quarters of the sicknesses of intelligent people come from their intelligence. They need at least a doctor who can understand this sickness.
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The particulars of life do not matter to the artist; they merely provide him with the opportunity to lay bare his genius.
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A collection of bad love songs, tattered from overuse, has to touch us like a cemetery or a village. So what if the houses have no style, if the graves are vanishing under tasteless ornaments and inscriptions? Before an imagination sympathetic and respectful enough to conceal momentarily its aesthetic disdain, that dust may release a flock of souls, their beaks holding the still verdant dreams that gave them an inkling of the next world and let them rejoice or weep in this world.
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Are not the thoughts of the dying often turned towards the practical, painful, obscure, visceral aspect, towards the "seamy side" of death which is, as it happens, the side that death actually presents to them and forces them to feel, and which far more closely resembles a crushing burden, a difficulty in breathing, a destroying thirst, than the abstract idea to which we are accustomed to give the name of Death?
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Many years have passed since that night. The wall of the staircase up which I had watched the light of his candle gradually climb was long ago demolished. And in myself, too, many things have perished which I imagined would last for ever, and new ones have arisen, giving birth to new sorrows and new joys which in those days I could not have foreseen, just as now the old are hard to understand.