Edward R. Murrow Quotes
Quotes to Explore
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I happen to miss the Constitution; I thought it was a good document.
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Every piece has its own identity which we develop by the rule 'We know no limits.' We follow the inspiration of the moment and don't worry if what we're playing is alternative, progressive or fusion rock.
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Language as a communication tool is the primary element from which literature is created. Even in pre-literate societies, it exists as songs, riddles, or epics that are chanted.
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I hate bell peppers, which is annoying because they technically have my name all over them.
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The whole issue is that everyone would love to do theater, but it doesn't pay enough, so to do music theater on TV, that's the ultimate dream.
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In countries other than Pakistan - I won't necessarily call them 'Western' - people support me. This is because people there respect others. They don't do this because I am a Pashtun or a Punjabi, a Pakistani, or an Iranian, they do it because of one's words and character. This is why I am being respected and supported there.
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God does not die on the day when we cease to believe in a personal deity, but we die on the day when our lives cease to be illumined by the steady radiance, renewed daily, of a wonder, the source of which is beyond all reason.
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Your former Fathers the Spaniards have now no further Authority over you.
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I grew fond of acting rather late. And that was because I was not getting any job. I had a few friends in Delhi who were associated with theater. They took me to see some plays in Delhi and Baroda. That led me to believe the I could also act. And it was after that I joined National School of Drama in 1993.
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Policymakers can draw much from 'The Need for Roots': such clear prescriptions as that employers ought to provide an adequate vocational training for their employees, education should be compulsory and publicly funded, and include technical as well as elementary education.
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If you see in any given situation only what everybody else can see, you can be said to be so much a representative of your culture that you are a victim of it.
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The world's a scene of changes, and to be constant, in nature were inconstancy.
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All eyes are on you when you're modeling and acting, and I just didn't want the attention when I wasn't working. But as I've gotten older, I've become more comfortable with my body and am taking more fashion risks.
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I was never someone that was attached to any party. You know, I've always been an independent person. I'd like to remain like that.
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In Athens I was 17 and I didn't have any expectations. I was just swimming fast and racing everybody. I didn't have the joy after my races in 2007. I didn't want to go to Beijing. I had to for sponsors.
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I don't know what my path is yet. I'm just walking on it.
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An artist reveals his naked soul in his work - and so, gentle reader, do you when you respond to it.
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We toast the Lisp programmer who pens his thoughts within nests of parentheses.
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Once you go from 10 people to 100, you already don’t know who everyone is. So at that stage you might as well keep growing, to get the advantages of scale.
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I'm in no rush but I want to do things right, ... to be close to the source.
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Our true acquisitions lie only in our charities - we gain only as we give.
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Lots of people make the stage and it can seem very violent and over the top, but it's not really. It's always a kind of gentle ballet.
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The obscure we see eventually. The completely obvious, it seems, takes longer.
