Edward Zwick Quotes
The idea that things can be serious minded but must be somehow balkanized in the art-house ghetto is very upsetting because I think it limits not just the audience who was already going to see it, but those who might have had their tastes developed at a younger age.

Quotes to Explore
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No Americans wants to see somebody lose their house because of health bills. Their boat? Maybe. Maybe the boat. But not the house.
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Every child needs to have for itself not only its loving parents and siblings and friends of its own age, but a grown-up friend.
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A beautiful print is a thing in itself, not just a halfway house on the way to the page.
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People in love don't see gender, colour or religion. Or age. It's about the other person, the one that you love and who loves you. You don't think of them in terms of a label. You just go with your heart.
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There is nothing, Sir, too little for so little a creature as man. It is by studying little things that we attain the great art of having as little misery and as much happiness as possible.
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Contemporary art will help me to modernise our society.
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What we call real estate - the solid ground to build a house on - is the broad foundation on which nearly all the guilt of this world rests.
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Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.
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I think it's about not just the crisis you're in, but how do you get to the other side? How do we heal? How do we survive this experience while remaining hopeful instead of filled with despair? That's what interests me.
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I started to travel like this at the age of 15 so for me, it's normal. Some days you get tired and you feel, 'I want to stay at home a little bit more,' but it's only the moment.
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All the sounds on 'Trapped in the Closet' - the knockin' on the door, when I grab the keys, when I walk down the stairs, the car horns - we sampled all of those things around my house.
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There should be a law that no ordinary newspaper should be allowed to write about art. The harm they do by their foolish and random writing it would be impossible to overestimate - not to the artist, but to the public, blinding them to all but harming the artist not at all.
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I feel the art world in New York has a stronger following than Britain. If you go to a New York art district on a Saturday morning, it will be so busy with families and openings - art is much more ingrained in the culture.
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At no point do I wish to be in conflict with any man or masculine thought. It doesn't enter my consciousness. Art is anonymous. It's not competitive with men. It's a complementary contribution.
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I am 90. I can work day or night. I'm the same guy, but the polls show the effect of age. That's the issue.
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When you make art, you get really invested in it. When art happens by accident and you were just along for the ride? It's way more fun.
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My mom insisted on multigrain bread and never allowed soda in the house.
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Akshay Kumar is a senior in the industry, and I consider myself lucky to be working with him. Each film of his opens to a packed house. Today, a film will sell only if you have a story. The audience is smart and won't be taken for a ride. And I'm confident about my movies.
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My only way of getting my uncles' attention or aunts' attention or whoever's attention was by dancing and singing around the house.
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It's useful to know how much society's holding you back. My mother would talk about how she was told by the head of her art school that she was the best painter, but that she wouldn't get the biggest prize because she would waste her talent by having children. I think we have to get honest with girls about how they can expect the world to block them, and we have to prepare girls, and ourselves, to break through those blocks.
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My heroes are Robert Duvall, Forest Whitaker, Ed Harris, Tommy Lee Jones, Anthony Hopkins and Sean Penn.
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I think self-criticism is sort of a given when you're an actor. It's also about being curious and not being flippant. Anyone who accepts being in this noble profession is automatically self-critical.
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The idea that things can be serious minded but must be somehow balkanized in the art-house ghetto is very upsetting because I think it limits not just the audience who was already going to see it, but those who might have had their tastes developed at a younger age.