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And so one becomes, or I become, anyway, slightly obsessive, particularly about my health, because you wouldn't want to read the letters people write when you're off and they're disappointed - it's so awful, the guilt one feels for not being there.
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I thought: 'Gosh, it really has been worth the wait.' And I think had I gone with Evita, I probably wouldn't have been ready to deal with it. It was just the most perfect time to go with that particular show.
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It did something to me. I thought it was the most glorious melody.
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Actors already striving in the theatre wouldn't dream of putting themselves on these shows; it means that only about 10% of the talent out there is being auditioned for parts.
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I did miss the music a bit - but only in the wings, when I was waiting to go on. It seemed dreadfully quiet, rather unnerving. But the wonderful thing was that one didn't have to be quite so obsessive about one's health, and one's voice.
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My dad always told me that perseverance furthers. He was right.
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It was terribly difficult. It's not something I ever wanted in my life. Naively I just thought, 'oh I've got this great part'. I never thought about the reality of all the stuff that went with it. I'm actually quite a shy person when I'm not on stage.
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I never for a moment considered not doing the show. When I did the show I became very emotional. Some of the lyrics suddenly took on an entirely different meaning. Words like, 'as if we never said goodbye' became more real.
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I loved it. We would rehearse in this dark theatre, unaware of the sunny day outside, and be immersed in the magic of creating something from our imaginations.
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My first singing role was as Susanna in a school production in a shortened form of Mozart’s The Marriage of Figaro. I loved to sing and I was given lots of encouragement by a wonderful music teacher Mrs Ann Hill and by my parents who suggested I go to drama school.
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Learn to take rejection, keep fit and work only with the best in your field.
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On the very rare occasion when they don't all jump up out of their seats I'm always mortified.
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If you’re a serious actor, you wouldn’t put yourself up for one of those shows in case you got bumped off the first week and all your colleagues saw it.