Marg Helgenberger Quotes
I didn't work on the killing floor. I worked in the section where you break the meat down and package it.
Quotes to Explore
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I've listened to female vocalists my whole life. That's what I love. I still listen to guys' vocals and don't get taken aback a lot.
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The two most important things in my life were academics and sports. I had to do my schoolwork first.
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Hip-hop is a vehicle.
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Once you are a model, you do have to fly a million red-eye flights, and you do have to entertain a different client every single day.
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To create something new is both thrilling and excruciating at the same time. It's great to have all these choices in front of you, and to have the writers in the room so you know exactly what they meant. But the downside is you want so badly not to screw it up!
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When I grew up, my role model was my grandma because she's just the best.
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The American people know something is wrong as far as energy is concerned. They don't think they are being told the truth.
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I had done another show called 'United States of Cars,' which was a pilot that didn't get picked up. And they said, 'You know, we're doing 'Top Gear,' and would you like to meet the guys?' It was the wild - most wild audition I ever had because I never went to a studio or a producer's office.
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Winning a gold medal is not easy but I believed in myself, especially over the last four years.
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The relationship with time changes when you're captive.
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There is no more respected or influential forum in the field of journalism than the New York Times. I look forward, with great anticipation, to contributing to its op-ed page.
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I would not hesitate to vote for a white person as president if I thought he was the best person for the job.
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I influence people, hopefully on the positive side.
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My boys asked me to write beautiful letters for their ex-girls so they could get them back. I thought, 'I should be writing songs for myself.'
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I've really written my books for my husband and our family. They've brought us closer together by allowing us to discuss things that were unspoken for so long.
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I'm not a walking extra in a Chekhov play; I'm no Slavic gloom or Irish gloom.
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You have to be talented. You have to work hard; you have to get the right pieces flowin' for you at the right time. And that's just what happened to me. I can't explain what happened.
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I make the music my ears want to hear, I wear the clothes my body wants to wear and the ones boys call me back for, and I generally make the songs that my feet dance to.
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I've always called myself a journalist who happens to draw. If I wasn't drawing cartoons, I'd be writing stories.
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I discovered what it meant to 'live for Christ,' and that it honestly was something I wanted to do. The facts were there, and I could sense the Holy Spirit at work.
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I don't write material. Funny things happen to me in the course of a day, and I just make notes.
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If I should ever be captured, I want no negotiation - and if I should request a negotiation from captivity they should consider that a sign of duress.
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I didn't work on the killing floor. I worked in the section where you break the meat down and package it.
