Margaret Atwood Quotes
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Time is not a line but a dimension, like the dimensions of space.
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In view of the fading animals the proliferation of sewers and fears the sea clogging, the air nearing extinction we should be kind, we should take warning, we should forgive each other Instead we are opposite, we touch as though attacking, the gifts we bring even in good faith maybe warp in our hands to implements, to manoeuvres
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The fabric of democracy is always fragile everywhere because it depends on the will of citizens to protect it, and when they become scared, when it becomes dangerous for them to defend it, it can go very quickly.
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The weapons that were once outside sharpening themselves on war are now indoors there, in the fortress, fragile in glass cases; Why is it (I’m thinking of the careful moulding round the stonework archways) that in this time, such elaborate defences keep things that are no longer (much) worth defending?
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A man is just a woman’s strategy for making other women.
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He had that faint sick look in his eyes, as if he wanted to give her something, charity for instance.
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Adam named the living animals, MaddAddam names the dead ones.
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Nolite te bastardes carborundorum.
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I plunged in, and set up a Twitter account. My first problem was that there were already two Margaret Atwoods on Twitter, one of them with my picture. This grew; I gave commands; then all other Margaret Atwoods stopped together. I like to think they were sent to a nunnery, but in any case they disappeared. The Twitterpolice had got them. I felt a bit guilty.
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Everyone said he was a fool. Everyone said she was a clever woman. They used the word ensnare.
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Like all twenty-one-year-old poets, I thought I would be dead by thirty, and Sylvia Plath had not set a helpful example. For a while there, you were made to feel that, if a poet and female, you could not really be serious about it unless you'd made a least one suicide attempt. So I felt I was running out of time.
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I would rather dance as a ballerina, though faultily, than as a flawless clown.
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If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror.
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I can tell you that once upon a time when I was doing public events people would ask me, 'What do you think about the arts?, What do you think of the role of women?, What do you think of men?, What do you think of all of these things?', and now they ask one thing, and that one thing is this, 'Is there hope?'
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As all historians know, the past is a great darkness, and filled with echoes. Voices may reach us from it; but what they say to us is imbued with the obscurity of the matrix out of which they come; and, try as we may, we cannot always decipher them precisely in the clearer light of our own day.
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You wonder about her crime. She was condemned to death for stealing clothes from her employer, from the wife of her employer. She wished to make herself more beautiful. This desire in servants was not legal.
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An eye for an eye only leads to more blindness.
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I am certain that a Sewing Machine would relieve as much human suffering as a hundred Lunatic Asylums, and possibly a good deal more.
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Sanity is a valuable possession; I hoard it the way people once hoarded money. I save it, so I will have enough, when the time comes.
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I’m just as human as you. But it’s no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.
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I'm working on my own life story. I don't mean I'm putting it together; no, I'm taking it apart.
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'Better never means better for everyone.' The Handmaid's Tale (TV Series 2017)
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I became a poet at the age of sixteen. I did not intend to do it. It was not my fault.
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By telling you anything at all I'm at least believing in you, I believe you're there, I believe you into being. Because I'm telling you this story I will your existence. I tell, therefore you are.