Margaret Bourke-White Quotes
Life wanted faces that would express what we wanted to tell. Not just the unusual or striking face, but the face that would speak out the message from the printed page. I am always looking for some typical person or face that will tie the picture essay together in a human way.
Quotes to Explore
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Alaska itself is an unusual state.
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I never read about photography.
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When my wife passed, I stopped doing interviews and I stopped doing meet-and-greets, mostly because I sort of became this suicide ambassador. Everybody wanted to tell me their story.
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I wanted to be famous. I wanted people to talk about me.
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I did photography, painting, and drawing, but I prefer sculpture. I like it because it's very physical.
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Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts.
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When I came to America, I told my dad I wanted to be an actress.
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I'm constantly working on these edges of photography, either to employ so much information or reduce information to the point of collapse.
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I always knew I wanted to be a writer.
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I wanted to play baseball!
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People say they have to express their emotions. I’m sick of that. Photography doesn’t teach you how to express your emotions; it teaches you how to see.
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I really enjoy the iPad because you can multi-task: I can watch a movie, read, look at pictures that I shot - because I'm into photography. It serves a lot of purposes for me.
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I still maintain several different outlets of artistry, like my music, photography, writing and all those things. I don't pigeonhole myself into one thing. I do all sorts of things, and that's so important to me.
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I've spent most of my life embracing violence in wars and revolutions. Even a famine is a form of violence. Because I photograph people in peril, people in pain, people being executed in front of me, I find it very difficult to get my head around the art narrative of photography.
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Nowadays shots are created in post-production, on computers. It's not really photography.
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Photography is, by its nature, exploitative. It's whether you use this process with a sense of responsibility or not. I feel that I do so. My conscience is clear.
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Photography is a big part of my life: taking photographs, being around photographers.
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I don't want to knock photography, and I don't feel that film is up there but photography isn't. I think they're next to each other really, you know. There's an incredible strength to a still picture. Or there can be an incredible strength to a still picture that can outlive you. That can outlive a film.
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Everybody needs that one person that takes you to the right place to see all the positives in your life.
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I chose philosophy because it sounded like something I ought to be interested in. I didn't know anything about it, I didn't even know what it was talking about. What I really spent my time doing in those years was writing short stories. There were all sorts of interesting courses, but what I really wanted to do was make stories one way or another.
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When gifts are given to me through my camera, I accept them graciously.
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There's something very real about helping someone one-on-one.
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Nobody ever thanks you for saving them from the disease they didn't know they were going to get.
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Life wanted faces that would express what we wanted to tell. Not just the unusual or striking face, but the face that would speak out the message from the printed page. I am always looking for some typical person or face that will tie the picture essay together in a human way.
