Elia Kazan Quotes
I knew the exuberance of playing before an admiring audience and hearing my secret voice.
Quotes to Explore
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We worked on solving the problem of voice communications in a noisy military environment. We established military codes that are highly audible and invented selection tests for personnel who had a superior ability to recognize sound in a noisy background.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.
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I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
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Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
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But I guess I like playing flawed guys 'cause it gives a place for the characters to go.
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I mean, in 'Big' and 'Pleasantville,' it's a journey that the characters go on where I think they come to kind of meet themselves at the end and who they actually are and give full voice to who they actually are. And that, you know, obviously fascinates me for some reason. Maybe I didn't adequately grow up.
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The comedian can put the punchline out there, but it's the audience that receives it - and has to get it.
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What a liberation to realize that the 'voice in my head' is not who I am. 'Who am I, then?' The one who sees that.
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I don't think about who the audience is for my books.
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I try to beat back the producers and engineers so they - there's not an excess of stuff used to squeeze my voice to make it artificial. There's a person in there, and people will listen; if they hear another person speak to them, they'll listen because it's lonely out here.
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I just love playing in major championships.
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When your life is as precious as all our lives are, then it needs to be kept precious and looked after and treated well. And that is not something we should be sharing with a wider audience.
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I don't have a director. The audience directs me.
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I think the biggest thing is voice. Whose voice is it? Who gets to control the narrative?
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When we tune in to an especially human way of viewing the landscape powerfully, it resonates with an audience.
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Just about every actor wants to be a Disney cartoon voice at some point.
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I think Robert Plant is the quintessential frontman - just the way he moves. His voice is superhuman.
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Whenever I get an idea for a song, even before jotting down the notes, I can hear it in the orchestra, I can smell it in the scenery, I can see the kind of actor who will sing it, and I am aware of an audience listening to it.
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Feminists bore me to death. I follow my instinct and if that supports young girls in any way, great. But I'd rather they saw it more as a lesson about following their own instincts rather than imitating somebody.
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A lot of people get flipped out if you're quiet. They say stuff like, What are you thinking? And if they don't start interrogating you, they start talking, going on and on about stuff that's totally irrelevant, and the silence gets so big and loud that it's scary.
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He only shot one person," Nick remarked. "But the night is young." . . . Forgive him, he has no manners." I get by on good looks," Nick said.
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Very often, writing a song is a process that happens to me rather than one that I instigate. I feel a song coming on and, like a sneeze; I wait for it until it comes.
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I knew the exuberance of playing before an admiring audience and hearing my secret voice.
