Dana Carvey Quotes
I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
Quotes to Explore
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I started as a teenager going up on commercials.
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I had a bit of a male menopause. It started at the age of 18 and continued until I was 45.
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When you are performing in theater, you feel so connected to your audience. It's exhilarating!
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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Anyone who says they want to make a game that becomes a cult classic is kinda screwy, right? I mean, you want to reach the largest audience you can.
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The important thing is having genuine regard for your audience.
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When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.
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Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
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The comedian can put the punchline out there, but it's the audience that receives it - and has to get it.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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As a director, there is nothing more fun than seeing an audience screaming and jumping. You are the ultimate puppet master, controlling the emotions of the audience.
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I don't watch the show - only bits and pieces of all of them. The only one I sat through was the pilot.
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I don't think about who the audience is for my books.
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In the old days, you had an audience of about 400, half of whom were committee members from somewhere or other sitting in their suits. It's become a real sports event with sports fans now.
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You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.
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You as an audience can look at these things as films, but I remember them as social experiences.
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The film depends on the audience's belief in this relationship.
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People ask me how far I've come. And I tell them twelve feet: from the audience to the stage.
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I want my audience to leave the theatre with positive emotions through this sensorial journey in the world of precious and fragile teenage beauty. And also the idea that the difficulties that we have to go through help us reveal who we really are.
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I've been really lucky.
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You can never take a day off, because there's an All-Star on every team.
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There is no human failure greater than to launch a profoundly important endeavour and then leave it half done. This is what the West has done with its colonial system. It shook all the societies in the world loose from their old moorings. But it seems indifferent whether or not they reach safe harbour in the end.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
