Elif Batuman Quotes
I like a novel to have a certain amount of dead time and filler - unremarkable scenery, descriptions of getting from point A to point B, dialogue in which not much is said - in between the parts that are electric. With a long work that you don't read in one sitting, I think that makes for the best reading experience.
Quotes to Explore
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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I got to work with legendary director Garry Marshall.
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I kind of just want to look like a cool French girl in the Sixties most of the time. Or TLC.
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I want to work with great directors and try not to put too much pressure on myself and just read things for the story and recognize when I'm drawn to something for the right reasons and try to maintain some sanity.
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When I grew up, the thing boys would do during the summer is work tobacco because it was a cheap product back then. I didn't want to do that. From an early, early, early age, I was like, 'I like music. This performing thing comes easy.' And perhaps that's how I ended up doing what I'm doing today. Being a musician.
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How are the cabs in your city? In Manhattan, where I work, they are rather awful.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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Be reactionary. React to what the market wants. And the market wants one-on-one real time engagement. Now that we have the tools to engage, I'm going to continue fighting for the end user.
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As an actor, I'm familiar with having bursts of energy, where you're giving things a try, and then you have down time.
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Homer's work hits again and again on the topos of the inexpressible. People will always do that.
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I've dreamed of being on the road, traveling and touring, for as long as I've been into doing music. It's what I live for. I just wanna be Willie Nelson.
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I work with the Humane Society a lot and have three rescue cats.
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I grew up with three little brothers. Every Christmas, we'd have piles of toy trucks and Lincoln Logs and G.I. Joes under the tree. Those were for them. For me? My No. 1 favorite present of all time: books. Two or three tall stacks of wonderful stories that I could lose myself in for weeks.
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I think with anything where you delve into the back story of an artist, it kind of explains their work more intimately.
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Any time you're dealing with an ankle, you've got to run, you've got to cut, you've got to do all those things. It makes it tough.
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Power is natural, but it can be improved with a lot of work. It's been something I've focused on for a couple of years because I saw it as a place where I could make improvements.
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It's never been important to be a huge star or to have some breakout role. If you're the lead, you get a lot more screen time and you get a lot more chances to develop that character more thoroughly than you would if you do it in a little supporting part.
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I'm motivated every second by my work; it doesn't switch off. The pictures I make come from every blink of my lashes.
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I developed a mechanism so that whatever mistakes I made, I would bounce straight back. Whatever was happening off the pitch, I could put it to one side and maintain my form. Call it mental resilience or a strong mind, but that is what we mean when we talk about experience in a football team.
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The universal practice of closing the eyes of the dead may be thought to have originated in the desire that he might be prevented from seeing his way.
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The process of coming out was critical to getting where we are today: coming out to our friends, our family, our co-workers, God forbid, to our clients.
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Well, I must tell you I write the scripts very close to the bone. So I'm writing episode seven now and couldn't tell you what happens in episode eight.
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Non-literate societies cannot see films or photos without much training. (p. 41)
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I like a novel to have a certain amount of dead time and filler - unremarkable scenery, descriptions of getting from point A to point B, dialogue in which not much is said - in between the parts that are electric. With a long work that you don't read in one sitting, I think that makes for the best reading experience.
