Elif Batuman Quotes
I like a novel to have a certain amount of dead time and filler - unremarkable scenery, descriptions of getting from point A to point B, dialogue in which not much is said - in between the parts that are electric. With a long work that you don't read in one sitting, I think that makes for the best reading experience.
Quotes to Explore
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Together with international unity and resolve we can meet the challenge of this global scourge and work to bring about an international law of zero tolerance for terrorism.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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I got to work with legendary director Garry Marshall.
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I kind of just want to look like a cool French girl in the Sixties most of the time. Or TLC.
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I want to work with great directors and try not to put too much pressure on myself and just read things for the story and recognize when I'm drawn to something for the right reasons and try to maintain some sanity.
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When I grew up, the thing boys would do during the summer is work tobacco because it was a cheap product back then. I didn't want to do that. From an early, early, early age, I was like, 'I like music. This performing thing comes easy.' And perhaps that's how I ended up doing what I'm doing today. Being a musician.
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How are the cabs in your city? In Manhattan, where I work, they are rather awful.
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People get cranky when you burst their bubble. Over time, advances in astronomy have relentlessly reinforced the utter insignificance of Earth on a celestial scale. Fortunately, political and religious leaders stopped barbecuing astronomers for saying so, turning their spits with human-rights activists instead.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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Be reactionary. React to what the market wants. And the market wants one-on-one real time engagement. Now that we have the tools to engage, I'm going to continue fighting for the end user.
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As an actor, I'm familiar with having bursts of energy, where you're giving things a try, and then you have down time.
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Homer's work hits again and again on the topos of the inexpressible. People will always do that.
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I've dreamed of being on the road, traveling and touring, for as long as I've been into doing music. It's what I live for. I just wanna be Willie Nelson.
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I work with the Humane Society a lot and have three rescue cats.
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I grew up with three little brothers. Every Christmas, we'd have piles of toy trucks and Lincoln Logs and G.I. Joes under the tree. Those were for them. For me? My No. 1 favorite present of all time: books. Two or three tall stacks of wonderful stories that I could lose myself in for weeks.
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I think with anything where you delve into the back story of an artist, it kind of explains their work more intimately.
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Any time you're dealing with an ankle, you've got to run, you've got to cut, you've got to do all those things. It makes it tough.
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Power is natural, but it can be improved with a lot of work. It's been something I've focused on for a couple of years because I saw it as a place where I could make improvements.
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It's never been important to be a huge star or to have some breakout role. If you're the lead, you get a lot more screen time and you get a lot more chances to develop that character more thoroughly than you would if you do it in a little supporting part.
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I think that among my friends I'm known as being a hard worker; I think if you want to be an actor, there can't be any compromise. You have to work all day, every day. It's not a 9-5 job. There's always something to learn.
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Rushing to war is not a wise course of action.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution. I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. 'The Dreamers' was a total homage to cinema and that love for it.
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Posterity weaves no garlands for imitators.
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I like a novel to have a certain amount of dead time and filler - unremarkable scenery, descriptions of getting from point A to point B, dialogue in which not much is said - in between the parts that are electric. With a long work that you don't read in one sitting, I think that makes for the best reading experience.
