Ben Dolnick Quotes
During the couple of years it took to write 'At The Bottom of Everything', I decided, on the sort of hopeful whim that occasionally overtakes me, to sign up for piano lessons.
Quotes to Explore
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You should never say 'D'Brickashaw' and 'bust' in the same sentence. You should never even think that. It should be D'Brickashaw, Pro Bowl, D'Brickashaw, Jets, Super Bowl.
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When I was drafted to Smackdown, I was like, 'Hell yes, I'm going to captain this ship.' Then I was like, 'Oh, wait, you're losing your best friend and travel partner and the person you enjoy having matches with the absolute most.' That's Charlotte. We travel together, and she is my best friend.
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I've had enough boyfriends and enough issues. I'd seen enough train wrecks.
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I went from buying my own condominium and a car for myself when I was 17 on 'The Facts of Life' to not being able to pay my rent. I was at the unemployment office all the time. I had to sell my record collection just to make ends meet. And then I started getting these voice-over jobs.
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Billionaires like the Koch brothers, casino mogul Sheldon Adelson, and political puppet master Karl Rove should not be able to buy our elections. Secret money should not be able to drown out the voices of the American people and sell our Democracy to the highest bidder.
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Berlin is in a state of transition. There are lots of people who don't stay here. They pass through. They might not 'clean up,' but they mature. It is a city where people spend a significant time in their lives, and then they move on.
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One who works for his own profit is likely to work hard. One who works for the use of others, without profit to himself, is likely not to work any harder than he must.
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On the contrary, I'm a strong believer in the necessity of imperfection coming into the film.
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I've been things and seen places.
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I grew up thinking it was wonderful to be big and strong and to be able to knock down other children in the playground if I needed to. But I never felt the need.
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Frankly, we actresses are so much in a hurry. We feel we have very few years to shine in our career, so we neglect our personal life. But for me, both aspects are equally important. I don't want to grow old and have regrets.
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Al Jazeera is known in the Arab world as the voice of freedom of expression.
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But as I grew up as a child, falling in love with the theater and Shakespeare, my heroes were Sir Laurence Olivier and Sir John Gielgud.
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Possessions. The very word is potent - suggestive as it is of ownership both material and erotic. To possess. Possession. Possessed.
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We are a total of our sum parts, right? I came from a family of very strong women - black women. And if I go back as far as my great grandmothers, there was always that love and the ability to be nurturing. Then I grew up in a household where my father was the one who was more affectionate with me.
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There is not Communism or Marxism, but representative democracy and social justice in a well-planned economy.
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I'm constantly trying to work on the person that I am and work on my shortcomings, and I guess I want people to know that it's ok to be a work in progress, as long as you keep trying to figure it out. But that search and that discovery is what makes life kind of rich, and it's what makes life rich... period.
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I see the human in everyone and everything. No one is more important than anyone else; I still hang out with my high school friends.
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For 'The Theory of Everything,' I was quite low down on a list of actors for the role, and I got the opportunity as a consequence of people saying no to it. So I have been very, very lucky.
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In a couple of years I think it [sequel to What We Do] will come out as a script and we'll shoot that. Or maybe it will just come out as some t-shirts.
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I look at actors very closely. It's not an accident when the actors excel.
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I have an obsession for quality. I work for my guests, not to obtain Michelin stars.
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I usually make up stories for my kids.I like to tell them stories and make up any kind of crazy to involve them in characters. The kind of fairytales I don't like are the ones with happy endings, where there's just good and evil and things are perfect. I think when there's a good story for children it has a moral tale, so that's what I try to teach my kids.
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During the couple of years it took to write 'At The Bottom of Everything', I decided, on the sort of hopeful whim that occasionally overtakes me, to sign up for piano lessons.
