Ben Dolnick Quotes
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During the couple of years it took to write 'At The Bottom of Everything', I decided, on the sort of hopeful whim that occasionally overtakes me, to sign up for piano lessons.
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For me, novel-writing, by its nature, contains months of feeling lost, gloomy, fatally misguided. The challenge has always been in assuring myself that by setting one foot in front of the other, I will eventually make my way out of the desert.
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For a long time, since story collections look almost precisely like novels, I presumed that they were meant to be enjoyed in the same way as novels.
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Literature is one of those realms in which giving out prizes can seem not merely dubious but positively obtuse.
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Enrichment happened to be my favorite time of day in the Children's Zoo, since it offered relief from the security-guard-esque standing around that makes up most of a zookeeper's day.
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I would love to love Saul Bellow, but by page fifty of 'Herzog', something within me has wandered into another room.
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Philip Roth has made a cottage industry of unlikable characters, but compared with Mickey Sabbath, the furious and profane protagonist of 'Sabbath's Theater,' Roth's earlier creations seem like Winnie the Pooh.
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Literary interviews are inevitably packed with the nuts and bolts of how writers do their work, and there's very little that aspiring writers do more readily than fling other people's nuts and bolts into their toolboxes.
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'At Freddie's' takes place in 1960s London at the Temple Stage School for child actors. It has a plot that makes you feel sorry for the people who have to write summaries on the backs of books.
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The patron saint of outlining - the bespectacled siren who sings to me from his spotless rock - is P. G. Wodehouse.
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To learn a piece on the piano - even a simple one - has proved every bit as agonizing as writing a chapter in a book, every bit as tedious and hopeless and halting. But this is not to say that the piano hasn't helped my writing. It has, just not in the ways I expected.
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Herta Muller, Mo Yan, Jean-Marie Gustave Le Clezio - for many of us, the Nobels have become doubly educational: We simultaneously learn of an author's existence and find out that we ought to have been reading him or her all along.
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In life, we like tranquility; in books, we love tension.
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There's something to be said for a likable character, but fiction has a way of upending our ordinary standards.