Elinor Wylie Quotes
Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones.
Quotes to Explore
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It was funny on '24' because I'm a Scots-Canadian, and I was working with the great Scottish actor Tony Curran, and we were both playing Russian gangsters.
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For me, it's actually really hard to write about my real experience. Like to do a Taylor Swift. You know what I mean? It's so brave to actually write about things that happened and things you wanna get off your chest, but I'm not really there yet.
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What keeps me up at night is poverty and unemployment.
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Winning the peace is harder than winning the war.
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Ten people who speak make more noise than ten thousand who are silent.
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God made them as stubble to our swords.
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Way back when I was a junior pastry chef, I'd bake loads of muffins every morning, as many as 120 or so, while operating on autopilot.
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Ever since I was little, I would just make stories up in my mind. It was based on people I saw in the street or someone I would talk to, or I would hear a specific voice.
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September 11 stands on its own as a terrible tragedy.
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I draw pleasure in governance, in doing new things and bringing people together. That pleasure is all I need from life.
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I know I'm not the greatest singer or dancer, but that doesn't interest me. I'm interested in being provocative and pushing people's buttons.
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The difference between religion and morality lies simply in the classical division of things into the divine and the human, if one only interprets this correctly.
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I think the 19th century is an extraordinary period with a welling up of creativity and all kinds of experimentation and exploration going on at least until 1940.
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We want the city back on its feet. We want to have jobs for the city.
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America is a meritocracy.
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There will always be women who say, 'She doesn't represent me.' In retrospect, these things are gifts, because it forces me to step up and defend what I'm doing.
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The characters are trapped within the lifestyle. It's about what goes on before the movie starts.
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You know, I love America. It's such a positive country.
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When something is troubling me, people know about it.
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I'm deeply stressed as a filmmaker, and I know I'm not alone. The censorship crisis, the moral policing, the politics of it has most of us on edge. I'm scared to use certain words: like, if I use 'Bombay,' will there be a problem?
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Machiavelli is the complete contrary of a machiavellian, since he describes the tricks of power and 'gives the whole show away.' The seducer and the politician, who live in the dialectic and have a feeling and instinct for it, try their best to keep it hidden.
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I hope I give a good performance; I hope it's enjoyable. If I'm a villain and you hate me, that means I'm doing my job. But I'm not the one to stand for anybody to call me out of my name for any reason.
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People ask if I miss it, but they don't understand that American culture is so ubiquitous that there's nothing to miss. I don't see myself moving back. It's not that I hate the United States. I just always thought it would be a shame not to live in a foreign country.
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Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones.
