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In 2009, I fractured my skull in a freak accident at an L.A. restaurant. I suffered a seizure and was rushed into hospital. I was so out of it that I refused to let them scan my brain. My dad rushed to my bedside and talked me into having the CAT scan - he told me that I might die if I didn't go through with it.
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I like to move around. It suits me. I grew up in Wiltshire on a farm, and that's the only place I call home.
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I only wear black. I think it suits me.
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It's always best to challenge yourself and go to a place out of your comfort zone.
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I didn't come out as gay; I came out as I don't really believe in gender.
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I knew I wasn't going to write a record as soon as I got signed, because I hadn't had any life experiences. I was still at school, and I wasn't going to write about that.
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I sometimes suffer from insomnia, and one of the first times it ever happened, I was like, 'I don't know what to do with myself,' so I started writing a song, and by morning, it was finished. It was about how I couldn't sleep... I was 14.
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Self-sufficiency is vitally important to my self-respect. I never wanted to rely on my parents in that way, because I knew that if I got used to it, I'd be reliant all my life.
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Music is about self-expression and representing the times, and I think fashion is the same. It took me a long time to find my own style, both in terms of fashion and music.
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It stresses me out writing songs,; I get really super nervous and speedy. I feel like I'm possessed.
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I don't particularly like attention. I like to do things on my own. I like to dress myself. People always ask that at shoots: 'Do you want any help?' That's the weirdest question.
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People always have to have a reference - I think I'll always be in the shadow of my parents.
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Being Sting's daughter hasn't kicked any doors open for me - he has had absolutely nothing to do with my career. It's all been down to me so far, and that's how I want to keep it.
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Music is the only thing that I trust.
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On my fourth or fifth birthday, a guitar was given to me, and I made a new friend. A very loud friend.
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I write most of my stuff when I'm on a train or a plane, any mode of transport. I like trains because you hear this motoric rhythm and the scenery is great. You go into your own little world. You don't have to be anywhere else.
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With social networks these days, everyone needs to know everything all the time. But the problem is, people are so used to short snippets of information that no one has any attention span anymore. I don't, anyway.
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I can only be myself, and if I have to suffer for that, that's okay, because to pretend to be somebody else - I tried that, it's terrible.
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I think everyone's got an obstacle in their career that they have to challenge. I think, in a way, that pushes you to prove who you are.
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As a kid, I loved to dress up as Ian Dury and run around hitting people with drumsticks. Members of my family, neighbours, friends, kids at school - no one was safe from my rhythm sticks.
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It's difficult to explain exactly how I react to music, but if it makes me feel anything at all, then I'll have some kind of emotional relationship to it. That's what defines good music to me - if it makes me truly feel something.
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I try to read, but my attention span is so bad, and ever since Netflix was invented, that's all I do in my spare time, which is really bad, but it's like a chore to read for me.
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I make my songs slightly abstract so that people can interpret them their own way. I think that's a lot more special, so you can hear a song and think, 'I feel exactly that way,' even if it wasn't written for that feeling.
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It's not a nice thing to have a song written about you.