Ben Hopkins Quotes
Ben Hopkins is a very nervous, neurotic kind of person who is afraid of not being liked by people all the time. But, Monster-Me doesn't know who those people even are.
Quotes to Explore
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Wit is the appearance, the external flash of imagination. Thus its divinity, and the witty character of mysticism.
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On a personal level, there are many people who have meant a great deal to me. My father and mother were certainly of vital importance, not only in themselves but because they created a world for me to revolt against.
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In the streets, they're very nice. On Twitter, there are people who love to hate me. Sometimes people get mean. I tend to answer like, 'Careful now, know who you're dealing with...' They're like, 'I'm sorry! Don't send the Lord of Light after me!' It's fun to play with that.
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Only people have been through that miserable time will recall the pass from their deep memory.
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I'm being mocked because I don't live up to a socially determined view of what other people think a person should look like.
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The usefulness of a meeting rises with the square of the number of people present.
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You can make more friends in two months by becoming interested in other people than you can in two years by trying to get other people interested in you.
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I don't take it very seriously. You shouldn't let your success get to your head or failure get to your heart. This is most commonly said. But people don't really practise it. I don't see myself as a celebrity; it has not sunk in. I just see myself as someone doing a nine-to-six job like a techie.
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If you think about work, it's just this endlessly fascinating subject. We spend at least half of our waking hours working. So it becomes this incredible window into a whole variety of things: who we are human beings, how the economy works, how people relate to each other, how stuff is made, how the world spins on its axis.
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All my life, people have asked me what I was so mad about. 'Why you so mad?' And I was never mad. I'm not mad, I just look mad.
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Only really good comedies and really good horror movies get a verbal response out of the audience. People will scream. People will laugh.
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People have to learn who they are - you can't have somebody else telling you who you are.
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I was raised by two actors in a moment in time - the Seventies - when there was no judgment of characters, no heroes and bad guys.
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The great thing I think when you do independents is that people are really there for the same reason. They're not there because they got a lot of money and they want to just go home and get it over with. They're there because they believe in the script or the director or the cast or whatever it is, and they want to make it work.
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From the time I was ten, I thought of myself as 'good with words,' thanks to a perceptive and supportive fifth grade teacher.
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When I see things that are inspiring, I must write a song about it. Some people make a t-shirt or slap something on a wall with paint, but I must make music and freestyle rap.
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Some people care too much. I think it's called love.
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I had an incredibly full life with my imagination: I used to have all sorts of trolls and things; I had a wonderful world around my toys and invented people. I don't mean I had imaginary friends; I just had this big imagination thing going on. I didn't need any imaginary friends, because I had so much other stuff going on.
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You know, at parties, people always ask, 'Where were you when Kennedy was shot?' Well, I don't have an alibi!
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I wouldn't say that 'The Fabric of the Cosmos' is a book on cosmology. Cosmology certainly plays a big part, but the major theme is our ever-evolving understanding of space and time, and what it all means for our sense of reality.
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I am a very honest person, and I can only say there are moments in my life where I really did think I was being me in the sense of my morals and beliefs and the way I acted. But when I look back at certain things that I wore and my hair and make-up, I was like, 'Whoa! That wasn't me!' But I didn't know it back then.
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I'm a total nerd.
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The lucidity of the battle narratives, the vigor of the prose, the strong feeling for the men from generals to privates who did the fighting, are all controlled by a constant sense of how it happened and what it was all about. Foote has the novelist's feeling for character and situation, without losing the historian's scrupulous regard for recorded fact. The Civil War is likely to stand unequalled.
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Ben Hopkins is a very nervous, neurotic kind of person who is afraid of not being liked by people all the time. But, Monster-Me doesn't know who those people even are.
