Arne Duncan Quotes
Almost 24 million children - one in three - are likely growing up without their father involved in their lives.
Quotes to Explore
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'Skins' is about a group of teenagers in Bristol, and it's all about what they get up to and all the different things they do. I think it's a good show because it's come from a very real place, and there's a lot of young people involved in the writing.
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In winter, the Icelanders told the tales of the brave men of old in their families, and so the tradition was handed on from father to son, the same stories told every winter, till all the particulars became well known.
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I acted at school but got very bad parts - things that they'd made up in Shakespeare plays like 'Guard 17' - so I wrote plays and gave myself parts, then I wrote sketches, then I did stand-up. Even in the school nativity I was the emu in the manger.
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I don't feel proprietary, but I do feel there is a human identity to the borough of Hackney that's quite peculiar. It was always bloody-minded and difficult; it always stood up to central government.
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I have got the best of both worlds; growing up in Edinburgh and now living outside Glasgow.
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Oregon is the only state in the union that facilitates suicide.
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Children are educated by what the grown-up is and not by his talk.
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Putting on my legs is like putting on my shoes. I understand that's how some people might think differently, but I hope that in London, their perceptions open up.
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When I was growing up, we were taught in school that North Koreans, and especially the North Korean leadership, were all devils.
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I don't believe in a lot of schmoozing and buttering up. Not that you don't become friends in work. But I think it's a misconception that you have to do a lot of hanging before you work.
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It is so important that you don't stay with someone just for the children and for the wrong reasons.
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I grew up in Oregon so I grew up around reservations, so I've always kind of had this knowledge. Not a tremendous amount of knowledge, but an outsider's knowledge of what reservation life was like.
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The thing that makes writing so difficult is you don't have the element of serendipity. At least with a photograph, you can set up the camera, and something might happen. You might be a lousy photographer, but you can get a good picture if you just take enough of them.
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Why don't we actually fight for a woman's right even to complain about being beaten up. That is more important than driving. If a woman is beaten, they are told to go back to their homes - their fathers, husbands, brothers - to be beaten up again and locked up in the house.
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Whatever's going on with me at the time of writing is going to find its way into the piece. If that doesn't happen, then what the hell am I doing? So if I'm writing 'Inglourious Basterds,' and I'm in love with a girl and we break up, that's going to find its way into the piece.
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My father and my mother separated when I was two.
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That's the era we grew up in. It's weak to go to a psychiatrist.
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I had to pick myself up and get on with it, do it all over again, only even better this time.
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They can say I have an opinion about something.
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Lionel Essrog, the twitching, barking, gabbling narrator of Jonathan Lethem's new novel, 'Motherless Brooklyn,' is no movie-of-the-week novelty grafted onto a noir mystery. Maybe his Tourette's is a gimmick, but it's a gimmick with depth, with soul.
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It was so amazing to fall crazily in love and get married and have kids.
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It's always interesting when you play a part and then suddenly people think you're an authority on the subject.
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The best way to avoid danger is to meet it plump.
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Almost 24 million children - one in three - are likely growing up without their father involved in their lives.
