Walter Kirn Quotes
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Realize that the game of life is the game of, to some extent, being taken advantage of by people who make a science of it. Whether they are in government or personal life or in business, they're everywhere.
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The strange anthropological lesson of social media is that human beings, if given a choice, often prefer to socialize alone.
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I remember the first time I went to Italy when I was eighteen, I was in Florence and there were all these eighteen, nineteen, twenty-year-olds gliding past on Vespas with crinkly, long, hair, and I thought I was on the set of a movie. I couldn't believe that this was going on and I hadn't known about it before. I was flabbergasted.
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Yes, in the commercial world there's room for both McDonald's and Whole Foods, but in the realm of politics, we're told, it's either Filet-o-Fish or line-caught salmon: only one can prevail - and which is up to you.
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I've come to learn that the determined and gifted and genuine sociopath has far more power to deceive than we realize.
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At college, I wanted to be a poet. I liked the extremely concentrated language, the atmosphere of otherworldliness.
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You have plausible deniability, as they say in politics, as an author with movies. Because if the movie is terrible, you simply say they failed to catch the genius of the book.
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I've been around - having gone to Princeton, and I went to Oxford after that - some pretty fancy characters in my life. And they're just as nutty as the rest of us - sometimes worse.
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We're on Twitter with one side of our personality, and Facebook with another, and LinkedIn with another side of our personality, and we're toggling between them. That's just a version of what an impostor does: shifting from one side of their personality to another with lightning speed.
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In America, to be ID'd - sorted, tagged, and permanently filed - is to lose a bit of one's soul. To die a little. This sounds like a subtle, poetic notion. It's not. In American legal and cultural tradition, one essential privilege of citizenship is not having to prove it on demand.
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If writers, like comedians or singers, could only hear themselves bombing as they worked, it's likely that certain books would be cut short after the first few leaden sentences.
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Size has nothing to do with literature. All legs are long enough to touch the ground, and all books are big enough to fill their covers.
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The reason that last-ditch political maneuvering has become business as usual in Washington is that the actors involved are drunk on blame and are convinced that the voting public is, too. They count on outrage, thereby spreading numbness. They cherish the prospect of partisan fury, thereby inspiring nonpartisan disgust.
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I like to think that I could praise the good book of someone I personally dislike. I try not to comment on the person, to be insulting, but I have no trouble being insulting to the work.
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A sociopath doesn't warm up their environment, doesn't make it cozy. They don't have to; when they're not performing, when they're not manipulating, when they're all alone, there's nothing.
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I'm a magpie in my fiction, taking whatever looks shiny and curious to line the nest of my story.
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Writing about the future and the past is less a way of dramatizing change than of showing, by way of contrast, what abides.
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In a world that's smarter than it used to be and, in some ways, smarter than it ought to be, stupidity has a way of making us seem all the more human.
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Uncertainty doesn't make life worth living, quite, but it does make striving and gambling worth attempting.
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I'd assumed that a deal was a deal when Princeton admitted me, but I was wrong. The price of getting in - to the university itself, and to the great world it promised to open up - was an endless dunning for nebulous services that weren't included in the initial quote.
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Short stories are fiction's R & D department, and failed or less-than-conclusive experiments are not just to be expected but to be hoped for.
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Stopping to think is fine for characters, but not for their creators. They have to work.
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Size matters in fiction, but so does lack of size. Everything else being equal, fat novels tend to be perceived as serious, very thin ones as more honest, more real. Writers address these age-old expectations by filling their big books with philosophy and cramming their little ones with feeling.
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People can be so neglectful of each other and of their own heritage - then death intrudes. Conversations we wish that we'd had earlier are had too late.