Eliza Doolittle Quotes
I wasn't into sports when I was younger. I was one of those kids who always tried to get a note from the doctor to say I had a cold so I didn't have to go play hockey in bad weather and be miserable.
Quotes to Explore
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I always played to win.
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It's hard to have people talking about you and trashing you in the media and saying they think your career is over... and you are only 25.
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I can't take the theater side out of myself.
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You only lie to two people in your life, your girlfriend and the police.
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We know what a person thinks not when he tells us what he thinks, but by his actions.
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But as I grew up as a child, falling in love with the theater and Shakespeare, my heroes were Sir Laurence Olivier and Sir John Gielgud.
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Too often, older women are seen as victims, but I know lots of formidable women who have marvellous jobs as well as a full erotic life, and children and friends and family.
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I always think I have a chance, and I always give it all I've got.
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I never met a woman I didn't like. I love 'em all, in their different ways.
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How do you sustain yourself when all the old structures people looked to for support - religion, family, ethnic solidarity - are crumbling, or feel so false that you refuse to avail yourself of them? What comes next?
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I grew up in New York City - I grew up surrounded by every sound that you imagine can come from a New Yorker. All of the different boroughs and all of the different sounds.
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I think Hollywood wants to be safe. The things you do first become your calling card, and I think people just sort of go, 'Well, we know he can do that.' They kind of put you in that hole.
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I'm skilled in the Twitter and Instagram sense of the social media verse.
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How do we get more politicians to move from 'fixing' the system to reforming the system? The obvious answer is to either improve the quality of public services or reduce the public's dependence on them. Both approaches are necessary.
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Jesus is ideal and wonderful, but you Christians - you are not like him.
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In terms of script, Bollywood should learn from South Indian scripts. Not talking about the fights and action, I am talking about the drama bit.
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We have Christians against Muslims against Jews, and no matter how liberal your theology, merely identifying yourself as a Christian or a Jew lends tacit validity to this status quo. People have morally identified with a subset of humanity rather than with humanity as a whole.
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We've carried that over into the visual development as well. We've designed quite an exotic cast of characters, but the last thing we want is to dictate to the players how their PCs should look. What we want to do is inspire.
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Freedom in art, freedom in society, this is the double goal towards which all consistent and logical minds must strive.
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I want to successfully make the transition from a life in professional sports to another life, without running into major upheavals.
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I think the rules will change and I think more and more young women are going to decide that having a family and taking care of a home is not a bad choice, but how do we subsidize it - not necessarily European-style socialism. It'll have to be a new more creative, dynamic and local solution.
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'Glass Sword' has several set piece scenes that I plotted out or visualized before I wrote them, but I always knew they were coming. They anchor bits of the story.
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Play Mozart in memory of me - and I will hear you.
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I wasn't into sports when I was younger. I was one of those kids who always tried to get a note from the doctor to say I had a cold so I didn't have to go play hockey in bad weather and be miserable.
