Art Blakey Quotes
You can't seperate modern jazz from rock or from rhythm and blues - you can't seperate it. Because that's where it all started, and that's where it all come from - that's where I learned to keep rhythm - in church.

Quotes to Explore
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I love being in the editing room and playing with tempo and with the rhythm of shots.
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I don't want to name names, but the least I can say about rock and roll is that I'm suspicious.
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If you ask me, rockabilly has had a raw deal for far too long. People never shunned the blues or jazz the way they do rockabilly. But it's the original punk-rock, and it changed the way people looked at music for ever.
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I listen to crazy, robust rock music where they sing their faces off, and soul music, which can be similar.
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It's fun to look at people that are so good at acting that aren't actors, like David Bowie creating a mystique about rock n' roll.
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It's not enough to attend church and pray every Sunday; you have to act.
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I started playing trumpet when I was 11 years old. All I wanted to be was a jazz trumpet player when I grew up.
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As I discovered music, especially Rock 'n Roll, new territory was opened to me. I was lured by the unbridled rhythm of this art form. It was like gasoline on the fire of my youthful spirit.
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I grew up with all these old jazz guys in the '70s in L.A., and they grew up idolizing Charlie Parker, Charles Mingus, Lester Young - all of these incredible musicians.
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There is so much great talent in the underground, and electronic music is finally getting the props that it's deserved for so long. I feel like now that everyone is discovering it and it's so fresh sounding to so many people. It doesn't get any more rock n' roll than playing EDC or the Staples Center. It's really madness.
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Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
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I've been a massive obsessive about jazz singers all my life.
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I think probably one of the coolest things was when I went to play basketball at Rucker Park in Harlem. First of all, who would think that Larry the Cable Guy would go to Harlem to play basketball? And I was received like a rock star. It was amazing! There were people everywhere. There were guys walking by yelling, 'Git 'r done!'
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I can show you that I have played with just about every jazz musician, every African musician, every blues musician. It's not like I'm cashing in on a false concept. This is what I do.
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I used to have this lucky rock and I used to always have to rub it three times before I competed.
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Lyrics can't do what they do - or should do - when you're creating a musical with rock lyrics. There's plenty of room for rock musicals, just not all rock musicals.
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The thing with me is, about that - about rock and all that - years and years of crate-digging, listening to old music, you kind of start to connect the dots. And I was seeing the thread that was connecting everything together, which is pretty much the blues. And everything soul or funk kind of starts with that.
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The early Church had nothing but the Old Testament. The New Testament lies hidden in the Old; the Old Testament lies open in the New.
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Trying to seduce an audience is the basis of rock & roll.
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If I'm in a city I haven't been in before, I believe if I go into a church and ask a favor, it will be granted. It's part of my belief, and that's what I do.
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My mother was a jazz fanatic and she wanted me to play the piano so I could play jazz tunes. I wish I had learned but I was too busy getting into trouble!
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The problem of translation is to retreat to a simpler tenor of one's own style and creatively adjust this to one's author.
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If an artist can take two minutes to tweet a fan and make his or her day, why wouldn't they take advantage of that?
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You can't seperate modern jazz from rock or from rhythm and blues - you can't seperate it. Because that's where it all started, and that's where it all come from - that's where I learned to keep rhythm - in church.