Arthur Erickson Quotes
You have to see a building to comprehend it. Photographs cannot convey the experience, nor film.
Quotes to Explore
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I get tired of comedies where there are a bunch of funny guys and a beautiful woman who doesn't do anything funny. And I don't like books where there's a rough-and-tumble boy and a really clever, snotty girl. That's just not my experience with teenagers.
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My narrative style centers around intimate, highly subjective depictions of personal experience and internal landscapes. In 'March,' everything fell into place as soon as I began identifying strongly with John Lewis as a young boy and saw how we shared the same kind of gravity and intensity as youngsters.
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I hate these platforms that are all over the place today; they are all about grabbing attention. They are suburban! I never do a platform. Well, I did, in the 1970s, but that was a bad experience.
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All my life, I've been working with male directors, which I've really enjoyed. And I'm lucky in that I've worked with men who have a lot of respect for women. But working with a woman is a different experience. It feels like the communication is different.
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The wiser you get, the more experience you have, and the more you see people for who they are as human beings, as opposed to figures you have to fight against.
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Experience is what you get while looking for something else.
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I believe life is an 'experience ball.' You throw it at someone, it picks up their response... it grows. You play with that ball, learning what it teaches you.
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I'm the oldest 26-year-old I know. A lot of experience has been crammed into a short amount of time. Some days I feel a good 65, 70. Like I want to lie down.
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The reality, for me at least, is that the finest recreation of a paper game, played on computer, pales in comparison with the actual, face-to-face experience.
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I was raised in the Baptist church... but I didn't really have a real committed experience with Christ until my father died.
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As a young woman, I had been seeking experience, knowledge, truth, the stuff writers need in their work, but when the artist actually kicked in, I came to understand that in this romantic relationship I was not free to be myself, or to find myself, in order to begin the true work I needed to do.
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I guess I never had a better experience than working on The Long Riders, and at the same time, I never had a harder time than what I did making Southern Comfort.
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Real love is a permanently self-enlarging experience.
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I've learned through experience that life is never that bad. The secret is just paying attention to how you feel and not letting anyone else dictate what in your heart you know is right.
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For me, a novel is always the result of my attempt to impose myself on raw circumstances. It is a concrete form of lived experience.
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I learned a lot from Dick Wolf. I'll always remember playing that character because it was such a good character. It was great to be able to be a character like that for television. I think the thing that I'll bring from the whole experience, the whole 10 years, is I had never been interested in the television business before.
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How come I love having an episode of deja vu? It's akin to an out-of-body experience, I would think. It sits with me, happily, begging me to delve into my memory to find its match point.
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As a medical doctor, it is my duty to evaluate the situation with as much data as I can gather and as much expertise as I have and as much experience as I have to determine whether or not the wish of the patient is medically justified.
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The delay in SpaceShipTwo has not been the development of either of the vehicles. But the rocket motor has just been problematic from the get-go.
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Money is the string with which a sardonic destiny directs the motions of its puppets.
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If you live in central London, that's probably fine for you, but in places like Edmonton, where you're almost out of sight of London, you've got to pay more and more to get into central London. How does that work?
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People say we live in an age of information overload. Right? I don't know about that, but I just know that I get too many marketing emails.
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In a small Swiss city sits an international organization so obscure and secretive... Control of the institution, the Bank for International Settlements, lies with some of the world's most powerful and least visible men: the heads of 32 central banks, officials able to shift billions of dollars and alter the course of economies at the stroke of a pen.
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You have to see a building to comprehend it. Photographs cannot convey the experience, nor film.
