Arthur Erickson Quotes
The details are the very source of expression in architecture. But we are caught in a vice between art and the bottom line.
Quotes to Explore
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I never eat where the hotel recommends. I do my own research and then try the most highly rated options.
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I joined a radical group at the age of 16 because I'm a passionate man; the good news is that I turned myself around since then. But my character is still quite free and passionate.
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I'm very heterosexual, so dating women is something I'm not ashamed of. But my love life is not as exciting as it is reported to be.
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Never speak to an invalid from behind, nor from the door, nor from any distance from him, nor when he is doing anything. The official politeness of servants in these things is so grateful to invalids, that many prefer, without knowing why, having none but servants about them.
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When the Taiwan Relations Act passed in 1979, our biggest concern was preventing the use of military force against Taiwan. Little did we know that our friends on Taiwan could so effectively use the space created by our friendship to revolutionize their political system.
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I was in a commercial for the Disney channel. I was the camp leader for the campers.
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When I first got back from the war, I said, 'I'm gonna write the Great American Novel about the Vietnam War.' So I sat down and wrote 1,700 pages of sheer psychotherapy drivel. It was first person, and there would be pages about wet socks and cold feet.
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You don't go out and change your gender for a television show, O.K.? It ain't happening. I don't care who you are.
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I really appreciate people like Rosie coming out and saying I've inspired them.
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Part of the way the work world works is not so much creating a separation between your work and your free time, but creating the illusion of a separation between your work and your free time. Every day is the weekend for me, which means I'm always busy.
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In the past, the West had tried to export one formula of democracy which should fit to the rest of the world, and they discovered that this doesn't work.
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I find the whole situation of confronting an audience terrifying.
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I have my faults, but changing my tune is not one of them.
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In our recovery package we put new standards of accountability and transparency, which we hope will now apply.
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My granddad was a hard worker, and my dad is, too. It was instilled in me as a kid. I never got pocket money; I had to earn it. I had two paper rounds before school, not just one. Wherever I worked, whether it was at football, in the pub, I'd do whatever was asked of me - and more.
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We live a happy life, and we don't take anything too seriously.
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The ability to calibrate risk doesn't happen rationally.
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Basically, my idea and explorations on fashion have not changed; however, I believe I'm going state-of-the-art on fashion.
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I don't begin a novel or a screenplay until I know the ending. And I don't mean only that I have to know what happens. I mean that I have to hear the actual sentences. I have to know what atmosphere the words convey.
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Never go back, never apologize, and never forget we're half the human race.
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Without this spirit, Modernist architecture cannot fully exist. Since there is often a mismatch between the logic and the spirit of Modernism, I use architecture to reconcile the two.
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The assumption of perfectly rational, maximizing behavior won out until recently in the art of modeling, not because it often reflects reality, but because it was useful.
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There are various art forms we may or may not have talent for, may or may not have time for, and we may or may not be able to express ourselves in, but we ought to consider this fact-that whether we choose to be an environment or not, we are. We produce an environment other people have to live in. We should be conscious of the fact that this environment which we produce by our very 'being' can affect the people who live with us or work with us.
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The details are the very source of expression in architecture. But we are caught in a vice between art and the bottom line.
