J. D. Souther Quotes
I was never much of a club guy. Even when I was in New York in the early eighties, I never was once in Studio 54. It was too noisy. My version of those years mostly took place at my house.
Quotes to Explore
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Success to me is having ten honeydew melons and eating only the top half of each slice.
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What's really important to me is that we have fiscally responsible balanced budgets.
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What can a pencil do for all of us? Amazing things. It can write transcendent poetry, uplifting music, or life-changing equations; it can sketch the future, give life to untold beauty, and communicate the full-force of our love and aspirations.
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I never made a mistake in grammar but one in my life and as soon as I done it I seen it.
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All change is bad. But sometimes it has to be done.
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U.S. intelligence services routinely use collection methods against foreigners that foreseeably - with certainty - ingest high volumes of U.S. communications as well.
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When I write and develop things myself, I might work for a while on a script from a book, and then I go back and read the book and go back into it to see if I lost something: is there something there?
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Education comes from within; you get it by struggle and effort and thought.
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I didn't volunteer; they asked me. I felt a duty to testify.
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TV, film, and theater are considered art, and art is a reflection of life. What happens in life includes violence, unfortunately.
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All too often, the pitchmen are selling the notion that if you gain 'control' over your financial destiny - pick your own stocks and execute your own trades - it will be the first step on a short road to riches.
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I am not a Ph.D. in economics or a doctorate in literature that I can afford to take my singing lightly. Even if I sing a jingle, I take it as seriously as oxygen.
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That is to say, epic poetry has been invented many times and independently; but, as the needs which prompted the invention have been broadly similar, so the invention itself has been.
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As a working-class actor, leaving school with no qualifications, being a printer and then becoming an actor and then working with people who to a certain extent had had a leg up. I never had that advantage. It's less an artistic need to express myself and more a need to prove myself.
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In our gliding experiments we had had a number of experiences in which we had landed upon one wing, but the crushing of the wing had absorbed the shock, so that we were not uneasy about the motor in case of a landing of that kind.
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I created 'Rookie' because I read a lot of websites that I thought were cool and interesting, but they weren't for teens, and I wanted us to have something that could be ours.
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If you're driving, and a cop is behind you, you automatically think they're going to pull you over, but cops have so much more going on than to think about pulling you over. The last thing a real cop wants to do is write a ticket. That's the truth.
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On the whole, I am on the side of the unregenerate who affirms the worth of life as an end in itself, as against the saints who deny it.
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I watch way too much television and like a lot of shows, so I'm always excited to meet those people and hope they're not douchey.
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I didn't audition for 'Fargo.' It was a straight offer.
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Similarly you can make a transition from one set of instruments to another imperceptibly.
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I would say that the Pentagon Papers case of 1971 - in which the government tried to block the The New York Times and The Washington Post that they obtained from a secret study of how we got involved in the war in Vietnam - that is probably the most important case.
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The idea of dancing to bad house music is something I could never get behind.
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I was never much of a club guy. Even when I was in New York in the early eighties, I never was once in Studio 54. It was too noisy. My version of those years mostly took place at my house.
