Elizabeth Debicki Quotes
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People ask me what it's like to be tall, and I don't know what to say because I don't know any different. I grew up in a very tall house, so I wasn't an anomaly there.
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My parents were ballet dancers, and I did a lot of ballet, too, so I think I learned quite early on how to hold my body. Although I do recall desperately wishing I was shorter at school.
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I am very tall, and when you're a teenager, you want to be like everyone else. I used to slump a lot; it's very human at that stage to want to be part of the crowd and not want any part of you that is sticking out.
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I was very new to working in front of the camera when I started shooting 'Gatsby', so I set myself the mission of gleaning as much information as possible out of the much more experienced actors. The cast was astoundingly talented.
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I was a dancer from a young age. My parents were dancers; we were taken to a lot of ballet as children. It occurred to me that what I liked more than dancing the steps was acting the story of whatever particular performance I was taking part in.
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I guess the bigger you dream, the further you have to fall if you don't get it, so it can be a bit of a scary thing to be that ambitious.
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I think I've developed a sort of ADD for geography now. When I've been in a country for too long, I'm like, 'I think it's time to leave.' I don't know what that's going to do to me in later life.
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I have to say that filming 'The Night Manager' was not just amazing but also very daunting at first. I used to describe myself as the token plebeian surrounded by all your national treasures. All that glittering talent in one place; I knew Hugh from Fry and Laurie videos that my grandpa used to watch, and Tom Hollander's 'Rev' is hilarious.
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I'm not a great sleeper. I try and do too many things every day. I think that I get very obsessive about parts and projects. I do let them kind of consume me, and when there's something on the horizon that I want to be involved in, I just kind of hurtle myself towards it.
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I feed off variety. I don't want to repeat myself if I can help it, but once they've seen you doing one thing, directors often just want you to do it again.
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A good night in is a series of documentaries.
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Kissing in films, it's just another thing you have to do. It kind of becomes as technical as how to open a door, really.
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As a child, I got bored with my surroundings, so I would be another person for a little while.
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Often, female characters are quite one dimensional, especially in a two hour film; television gives characters room to breathe and develop.
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I loved Catherine Deneuve, Sophia Loren, and Ursula Andress. They had an incredible strength but fragility at the same time, especially Catherine Deneuve, who had an aloofness that impressed me.
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I don't think it's healthy to buy into hype in any form, whether it's positive or negative. You have to exist in yourself and just move on with life.
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Every time I see a good play or watch a good movie, I have the same feeling I had as a child of wanting to be that person on stage or wanting to run through the forest with a big dress on.
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Sometimes I have a nervous breakdown over my suitcase - over socks - because your brain just goes, 'I just can't pack again. I can't.' You're looking at your suitcase going, 'I'm in five countries in two weeks, and it's four different seasons.' That's when my brain melts.
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Acting is a craft to me: I just think you get better the more you do it. And then the irony to that is your doing it is not in your control. If it was up to most actors, we'd work all the time, and we'd always get better. But it's not in our control, so we have to wait to be given parts to do.
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I'm a gypsy at heart. I have a little triangle where I tend to go, which is between Sydney, Los Angeles, and London, and I'm happy with that at the moment.
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I did flirt with the idea of going to law school, but not for long. Maybe I'll play a lawyer one day - the beauty of acting is that you can try on so many different roles without having to commit to them in real life.
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I think there's something beautifully old fashioned about waiting all week then sitting down and watching something on television together. I'm generation box set, accustomed to binging on multiple episodes at a time, which is fun but quite a solitary pursuit because you do it alone.
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On a film set, everything's done for you. You get to a stage where you can't even remember the last time you made yourself a sandwich. The crazy thing is that, as actors, we're trying to portray the human condition, but we're often not living in reality.
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I have a sense of Europe also being like home. I mean, Australia is my home, and my heart is there, but I suppose I've always felt close to Europe, given we had family there, and we would visit.