Ursula K. Le Guin Quotes
Quotes to Explore
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I am a story-teller, and I look to academic research... for ways of augmenting story-telling.
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I want to sound like an instrument. I want my voice and my words to marry the beat. I go with the rhythm of it and the words start to come to my mind and those words could be based on things that's been on my mind for the past year, the past month, the past week, whatever; I write it.
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I don't think immigrants are that threatening to society at all. They're just happy they've survived some war somewhere.
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I've stammered all my life, and it's fair to say that my stammer has shaped my life. It's made me make some decisions that I'm sure I wouldn't have if I didn't suffer with this affliction.
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We think of feminism as an academic subject, but it's not. If you think feminism is academic, you think there's a right or wrong.
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My main thing is I'm going to compete on every play, try to be focused on both ends of the court. That said, I'll always bring my excitement, my swag, to the game.
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Please know that being 80 is not a scary thing. When you're 80, your life is much freer.
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When anyone recognizes you on the street, they are always very nice and genuine and excited to meet you.
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My father used to play with my brother and me in the yard. Mother would come out and say, 'You're tearing up the grass'; 'We're not raising grass,' Dad would reply. 'We're raising boys.'
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I want to be a real artist to consumers. I want to be the real thing for them.
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Law shuttles between freeing us and enslaving us.
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I was always telling everyone, I want to be a broadcaster. They'd say, What, are you crazy? What, you're going to be Arthur Godfrey?
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Fortunately, the music from the first record really connected with people, and I was really proud of that.
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There are years that ask questions and years that answer.
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My optimism is not based primarily on the successful march of democracy in recent times but rather is based on the experience of having lived in a fear society and studied the mechanics of tyranny that sustain such a society.
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I think that if writers are tempted to do other things, they ought to go do other things. They should not write if they don't feel like it. I say this as a competitor. I am not interested in encouraging people who are in competition with me.
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Guys back in the day, we didn't have wallets. I never kept my money in my pocket; my money always went in my sock. My key my mom gave me, I put it in my sock - whatever it was.
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Online hierarchies are inherently dynamic. The moment someone stops adding value to the community, his influence starts to wane.
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I think for anyone - male or female - in improv, the biggest thing to get over is the fear. I think every improviser has that.
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That's a problem I have a lot of the time with humor in music, where it just kind of stops at the obvious level of: 'Hey, isn't it something that's in bad taste?'
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The problem I see with most contests is that the people judging have never competed in a bodybuilding contest. I feel that to have the knowledge necessary to judge a bodybuilding competition, you must have walked in those shoes.
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To oppose something is to maintain it.
