Ashley McBryde Quotes
Everything I ever needed came out of a radio and a dashboard. My Mount Rushmore of what was cool came out of a radio - Trisha Yearwood, Patty Loveless, Mark Chesnutt.

Quotes to Explore
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Surprise is key in all art.
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Over the years I have learned that what is important in a dress is the woman who is wearing it.
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When I started making movies, I was pretty young, and at the time I felt like there needed to be more confrontation in cinema - or I needed to make something more disruptive - so in the beginning, those movies were me wanting to play with the rules.
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I venture to say no war can be long carried on against the will of the people.
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My daddy used to say that I was too big to ride and too little to hitch a wagon - no good for a damn thing.
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In my opinion, villains are so much more interesting than heroes. So 'Suicide Squad' is just like, wow, so damn awesome.
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I love Brazilians. Brazilians ought to be made compulsory at 15.
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My label understands that I am really attached to Malaysia, that I come home a lot.
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I don't use the voice of Bart when I'm making love to my husband, but Marge's voice turns him on a little.
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The shelf life of the average trade book is somewhere between milk and yogurt.
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But the Wisdom of God, which is His only-begotten Son, being in all respects incapable of change or alteration, and every good quality in Him being essential, and such as cannot be changed and converted, His glory is therefore declared to be pure and sincere.
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Society tells you that when you're old you have to retire. You have to defy that.
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I know how to wrap my turban a little better now. In the beginning, it was a little weird.
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I love cars, but I love bikes more.
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I refuse to admit that I am more than fifty-two, even if that does make my sons illegitimate.
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Ruminants are a perfectly normal thing to possess when you live in upstate New York. It's just moving scenery. It's kind of like the equivalent of Great Danes. It's the way you keep your grass mowed. It's the way you keep your weed-whacking to a minimum.
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At the risk of sounding hopelessly romantic, love is the key element. I really love to play with different musicians who come from different cultural backgrounds.
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College inspired me to think differently. It's like no other time in your life.
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The iconoclastic mode, that specific mode of language, there is an element of it that it is punk - that is confrontational. That's just a part of the language of jazz - at a certain point.
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You get this really cool groove when you're playing just piano, bass, and drums where everyone's sort of feeling each other's space, which is the only way to put it, but it really is true, and everyone's sort of sitting in their own pocket. It's kind of jazz-like.
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My real guru are my experiences in life - the realisation that you are alone in this world came very early to me.
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When you're young, you don't have any experience - you're charged up, but you're out of control. And if you're old and you're not charged up, then all you have is memories. But if you're charged and stimulated by what's going on around you, and you also have experience, you know what to appreciate and what to pass by.
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Cities are important because that's where the majority of the world's population lives and an even bigger share of the global economy resides.
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Everything I ever needed came out of a radio and a dashboard. My Mount Rushmore of what was cool came out of a radio - Trisha Yearwood, Patty Loveless, Mark Chesnutt.