Margaret Mitchell Quotes
All really nice girls wonder when men don't try to kiss them. They know they shouldn't want them to and they know they must act insulted if they do, but just the same, they wish the men would try.
Quotes to Explore
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With my son, I tried not to be so judgmental and tried not to push him so hard. I didn't want him to feel that everything or that our love for him will be based on how much he has achieved.
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To be honest, proper recognition has only come from the fans. I don't want to be hard, and I don't want to be negative, but I want to be honest.
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Every man prefers to look at a well-shaped woman instead of a rubber ball.
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I think you can soften people's hearts, even if they have a lot of hate. Music can do that if it's beautiful and honest. If I can do that - soften just one person's heart - I consider myself successful already.
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We need to ask who is the enemy, and the enemies are terrorists.
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Writing is literally transformative. When we read, we are changed. When we write, we are changed. It's neurological. To me, this is a kind of magic.
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I try to basically keep my opinions to myself when it comes to people who are charged with crimes that I don't know anything about.
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We do 32 episodes a season and will have shot 267 episodes by the end of the ninth season... It's impossible to sell that many episodes in the foreign market.
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I've met Bob Dylan. We did one of those non-handshake handshakes. I was with all guys, and he shook hands with all of them, and then they said, 'And this is Kate,' and I put my hand out, and he didn't put his out. And then I took my hand away, and he put his out. It was one of those. We finally did shake. And then I fainted!
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I think it's a bad business decision to exclude anybody from your restaurant - but, at the same time, I do believe in private ownership.
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I'm not stuck in Strikeforce. I'm happy to be with them. It's where I started, and they've been great to me.
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Getting an audience requires luck as well as talent. Some artists are private and shy. It costs them too much.
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I started doing comedy with no plan to do voice work. Voice work came as a function of doing comedy and meeting people who eventually develop shows like that. I didn't seek out from an early age to be on cartoons.
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When I was young, I had an 'aha' moment in church. There was a thing called testimony service, and somebody would sing a song, and everyone else would join in, finding a note where they fit. During one of those, a light went on in my head. In that moment, I heard everything - Parliament, the Staple Singers, Curtis Mayfield, Prince - in there.
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I'm constantly questioning the effects technology has had on our lives and the effect that monetary debt has had on all of us. We keep this as a dark little secret: 'This is how much interest I owe.'
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Tanning is tricky, because a lot of people just look orange.
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My first day in Chicago, September 4, 1983. I set foot in this city, and just walking down the street, it was like roots, like the motherland. I knew I belonged here.
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In high school, we used to sign to each other during the game, signaling different plays and stuff like that. It was kind of fun. It was definitely unique.
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They did ask me to do 'Dancing With The Stars;' I said I can do one show, but on that show you have to come up with a new number every week, and I told them that I think I'm a little past that stage.
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Looking back on my life, I wish I'd stepped forward and made a fool of myself more often when I was younger - because when you do, you find out you can do it.
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As a kid I had all kinds of questions about how I fit it with my neighborhood and friends and other Latinos.
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Developing characters is a strange thing. In the beginning they are abstract and I wonder how to move on from there.
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All really nice girls wonder when men don't try to kiss them. They know they shouldn't want them to and they know they must act insulted if they do, but just the same, they wish the men would try.
