Ben Mendelsohn Quotes
The very rough story is this: Melbourne boy, out of both my parents' houses at a young age, lived with my grandmother, drama teacher twisted me into doing this TV thing that I thought my mates were doing, too.
Quotes to Explore
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For me, it is very important to control a situation in defence. You can always score goals, but you have to add stability in the defence.
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I never had only one job. I was either playing ball or writing or doing TV or modeling.
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Never have we stolen the intelligences of other peoples. On the contrary, in Cuba we have trained tens of thousands of doctors and other top-level professionals, for free, in order to send them back to their own countries.
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Spontaneity is what travel is all about.
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Follow me around. I don't care. If anybody wants to put a tail on me, go ahead. They'd be very bored.
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I haven't leaked anything to anybody. They are wrong!
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Sometimes I hope that through osmosis I might get a workout - just by wearing the clothes.
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I like dogs, I just don't choose to spend time with them.
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They thought in terms of: whatever you had that started you at the box office, this was it.
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The first time I heard Adam Feeney and Chester Stone Hansen's 'Vibez,' it was used in Drake's '0-100' as a sample.
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I grew up on 'Lost.' I was 17 when I started, and I did it for four or five years, on and off.
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I've got spider veins all over my legs, so I wear opaque tights all winter. All sorts of colours.
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I'd love to make a thriller.
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The onset of mania occurs when repression is no longer able to resist the assaults of the repressed instincts.
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So I saw many planets, and they looked just a little bit brighter than they do from Earth.
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Children refuse to compromise. Adults learn how.
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I've always been a very prolific writer.
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I lived in a kind of dream of communism.
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I don't put my name on stuff.
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Nothing is quite honest that is not commercial, but not everything commercial is honest.
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Of course, my own political beliefs inform the ideas I come up with.
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I wouldn't say I'm personally trying to transition from comedy into drama. I don't look at things like, 'Oh, I need to do a drama now.' I get a lot of material sent to me, and if I feel like something has the creative integrity and the right director and the right whoever involved, the right actors and is a great story, then I do it.
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The very rough story is this: Melbourne boy, out of both my parents' houses at a young age, lived with my grandmother, drama teacher twisted me into doing this TV thing that I thought my mates were doing, too.
