Hans Vestberg Quotes
Quotes to Explore
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I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.
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There are no rebels in the cinema business.
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I really enjoy English and poetry and writing classes.
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We have to challenge the whole idea that it's acceptable for a society like Britain to have such a significant number of people who do not work one day of the week and don't have any possibility of improving the quality of their lives.
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Facebook can be an accumulation of different intelligences.
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I don't know if I actually am good at the sight of blood. An accident on the street gets me very, very upset.
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Summer is a promissory note signed in June, its long days spent and gone before you know it, and due to be repaid next January.
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I'm a big crier in general. The right life insurance commercial will take me out for a couple of days.
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We had a good time mucking about during 'Band of Brothers' when we were young and single.
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If you go back and watch 'The French Connection,' it's been cannibalized so many times. There are certain movies like that, where you see the original and think, 'This isn't so great.' And the reason it isn't so great is because everyone has copied it.
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You always need that spark of imagination. Sometimes I'm midway through a book before it happens. However, I don't wait for the muse to descend, I sit down every day and I work when I'm not delivering lambs on the farm.
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The question for France and all countries is, 'Do you favour foreign Internet operators that do not pay, or do you favour national operators who pay?'
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San Francisco, coolest place ever.
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I've known the glory of the stage and the glory of the spotlight. I still crave it. I want to be on 'American Bandstand' and 'Soul Train' as a solo artist. As a producer, songwriter and arranger, I help other artists say what they want to say. But on my records, I say what I want to say.
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Just try to get the puck and make plays, not so much worry about scoring or getting an assist or points, just try to get it and make plays. That should take care of itself.
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Defending peace is the duty of all.
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I don't want my writing to be work to read. My main goal is completely shameless entertainment. I want people to smile and giggle and enjoy the book. I'm not trying to save the world through literature.
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The chance to play a romantic character who kisses somebody onscreen was one of the elements that made me want to do 'The Stand.' The more you can do, the better, and I've been known as a character actor.
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Every time you treat an Iraqi disrespectfully, you are working for the enemy.
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But after I got them to leave and shut the door and turned off the light it wasn't any good. It was like saying good-by to a statue. After a while I went out and left the hospital and walked back to the hotel in the rain.
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It was always easier to be disgusted after the fact. It was easier to shake your head and be outraged, as if the outrage was proof of civility - a sign that the world hadn't died, that it could still scream out in horror, proof that its heart was still beating.
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The journalistic endeavor - at least theoretically - is grounded in objectivity. The goal is to get you to understand what happened, when and to whom.
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Habitualization carries with it the important psychological gain that choices are narrowed… the background of habitualized activity opens up a foreground for deliberation and innovation which demand a higher level of attention.
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We need to understand what innovation will be built on top of our networks.
