Ava DuVernay Quotes
When I was out promoting 'Selma,' I became aware of so many other films that ought to be getting distribution. And this is a problem I can do something about because of my experience.
Quotes to Explore
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I get tired of comedies where there are a bunch of funny guys and a beautiful woman who doesn't do anything funny. And I don't like books where there's a rough-and-tumble boy and a really clever, snotty girl. That's just not my experience with teenagers.
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When I went to college, I was so focused on this new experience of my life that I really just pushed down all of my fears of hell and damnation.
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My narrative style centers around intimate, highly subjective depictions of personal experience and internal landscapes. In 'March,' everything fell into place as soon as I began identifying strongly with John Lewis as a young boy and saw how we shared the same kind of gravity and intensity as youngsters.
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Mindsets, skills and leadership, experience and access, and critical consciousness - we need all four of these things for our students to be the leaders, people and citizens we want them to be.
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Being listened to and being heard is an experience that doesn't happen terribly often. To listen compassionately or nonjudgmentally to another person - not to get too heavy about it - but I once heard somebody say that was a form of real prayer.
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Life is like playing a violin solo in public and learning the instrument as one goes on.
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Experience is what you get while looking for something else.
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Poetry, I think, intensifies the reader's experience. If it's a humorous facet of the story, poetry makes it more exuberant. If it's a sad facet, poetry can make it more poignant.
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Age is relative. Experience is relative. And I think often intensity is confused with maturity.
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As a young woman, I had been seeking experience, knowledge, truth, the stuff writers need in their work, but when the artist actually kicked in, I came to understand that in this romantic relationship I was not free to be myself, or to find myself, in order to begin the true work I needed to do.
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Real love is a permanently self-enlarging experience.
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In times of rapid change, experience could be your worst enemy.
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Many of the comedies I had made in Sweden were slightly based on semi-autobiographical experiences, so adapting novels was a very different experience.
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Experience is simply the name we give our mistakes.
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'Red Knot' is a film that I shot in Antarctica almost three years ago on a boat. It was a film that was improvised and it had very interesting circumstances while making the film, obviously. We were on a small boat bobbing around in Antarctica. It was a really remarkable experience.
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Experience without theory is blind, but theory without experience is mere intellectual play.
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I spent a lot of time taking acting lessons... Actors have no inhibitions, and I'm inhibited by everything. To be able to make fun of yourself is a skill and a liberating experience.
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Soon after my degree, in 1958 I went to the United States to enlarge my experience and to familiarize myself with particle accelerators. I spent about one and a half years at Columbia University.
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I've never had an actual haunting experience, in the way you might anticipate a ghost in a movie haunting someone, but I do feel presences around me all the time, and I do feel that memories haunt us the way ghosts haunt us or might haunt characters in a film.
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Love is a human experience, not a political statement.
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It was all about flying round the world, working hard, being on the cover of Vogue, making money. It wasn't fun. It was exhausting, but I was young and convinced I knew best.
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I love the Middle East and have been lucky enough to visit a few of the countries like Egypt, Lebanon, Jordon and the U.A.E.
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At the rate we're going, the 21st century looks pretty clear. It's going to be pretty violent.
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When I was out promoting 'Selma,' I became aware of so many other films that ought to be getting distribution. And this is a problem I can do something about because of my experience.
