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Rap was started by black people and, thus, is at the foundation of black culture. So people cannot always wrap their minds around someone like me being inspired by it. But if you listen to the things we're saying, they're authentically us.
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I grew up two train stops from where A Tribe Called Quest grew up, and one stop from Nas.
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When I went to college, it became more of a hobby, and that's when I think I got the realest music education. It wasn't something that I had to do. It wasn't an obligation.
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I have lived in this city my whole life and have seen the way gentrification has changed it. I'm not necessarily against transplants, as 75 percent of my good friends, roommate, and boyfriend are not native New Yorkers.
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I am American. If you drop me in Seoul, I don't think I'm going to thrive there.
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It's not nice to say it - I know female musicians, but not so many rappers. I can't think of one I idolize, which is sad, but I'm hoping that will change.
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I studied my craft at the same place as Nicki Minaj.
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My every birthday wish was, 'I want to someday be on TV.'
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Eventually, I started to actually enjoy rapping.
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I was always that kid. When I got ice cream, I put it in my eye. When I got my license, I got pulled over so many times for playing 'Les Mis' too loud.
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I was working a corporate job, but I really wanted to do music.
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I'm torn between wanting to connect with what I grew up with and what's available, living in Brooklyn. I don't have a grimy supermarket that decapitates frogs' heads nearby.
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I like to rap about things that are funny but mostly things that are relatable. I remember there was this one song with Ja Rule, and I forgot, exactly, but it was with Ashanti, and there's a line in it that was like, 'She hit me up on AIM.' But that wasn't the actual line; it was something else, but I was like, 'Oh my God, he uses AIM!'
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I legitimately wanted to know if Mayor Bloomberg was going to ban large margaritas that I cry over while on a date alone at Dallas BBQ as a part of his controversial soda ban.
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I think rap in general allows you to be more lyrically expressive. It's a lot easier to state your identity, as opposed to with a guitar making all these weird metaphors.
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I think it's important for people to understand that as a woman, I can only rap about the parts I have.
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I'm not trying to unite Asian people with my music.
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I grew up thinking Margaret Cho and Lucy Liu were my idols because that's it.
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I was physically addicted to 'Tony Hawk's American Wasteland' for PS2.
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If you don't address race, then people are like, 'Why don't you talk about the elephant in the room?' But you have to do it right. It can't be gimmicky.