Margo Jefferson Quotes
I first wrote about Michael Jackson in the 1980s. His skin was growing paler, his features thinner, and his aura more feminine. Some called him a traitor to his race. Some fussed about his gender fluidity. I saw him as a post-modern shape-shifter. But the shifts grew more extreme and mysterious.
Quotes to Explore
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We all got driven out of Manhattan. It was a very conducive place for artists when I was growing up, and now it's definitely not. The city has been completely taken over by the rich.
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Growing up on a farm was the best. I remember loving that expanse of space. The sky at night was so clear, I could see every star.
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My dream as an actor growing up was always to challenge myself to different genres, different roles, and it's actually rare that an actor's given that opportunity to do that.
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My parents owned a plants nursery. We all grew up growing things and planting things and selling things, and I also managed landscape crews.
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Ricky Martin is one of the artists I wanted to be growing up.
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Growing up in a small town gives you two things: a sense of place and a feeling of self-consciousness - self-consciousness about one's education and exposure, both of which tend to be limited. On the other hand, limited possibilities also mean creating your own options.
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I brought in a yogurt master from Turkey. I went to Greece. I was always going back and forth, from New York to Turkey and Greece. The recipe we use has been around hundreds and hundreds of years. Growing up in Turkey, not a day would go by that we wouldn't eat yogurt like this.
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I have one son. Of everything I've done in my life, nothing matches the feeling of having life growing inside you.
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There were definitely curveballs in my growing up, from a family aspect. My parents got divorced when I was in second grade. I moved around a lot. Actually, I went to about four different schools when I was in fourth grade.
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After two years at UCLA, I decided to leave. I was convinced that no amount of education would help a black man get a job.
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I'm not particularly interested in painting, per se. I'm interested in a painting that has that mysterious life to it. Anything that doesn't partake of that magic is halfway dead - it returns to its physical elements, it's just paint and canvas.
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You have to do your own growing no matter how tall your grandfather was.
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I was always very aware of the nature of the place where I was growing up in Gulfport, Mississippi, how that place was shaping my experience of the world. I had to go to the Northeast for graduate school because I felt like I had to get far away from my South, be outside it, to understand it.
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Growing up, nobody I knew even knew a writer. So it was a big adventure and something that I've wrestled with my whole life. I think it's a journey worth taking, really finding out who you are and what you do well.
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In a basic sense, 'A Little Life' is a homage to how my friends and I live our lives. I wanted to push past the definitions of how we typically define friendship. It's a different version of adulthood, but it's no less important and no less legitimate than anyone else's.
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I love sci-fi. Growing up, I was a big fan of the 'Alien' series, 'Star Trek: Deep Space Nine,' etcetera. Plus, anything apocalyptic - 'I Am Legend,' '1984,' 'Battlestar Galactica.'
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I think it's really cool, but Jimmy Eat World and Gin Blossoms did it better than anyone. People don't realize just how awesome the Arizona history is, especially for alternative music. Growing up, that's all I ever wanted to be was those two bands.
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I had plenty of vices growing up.
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You always try to fight someone from another country. But having said that, the public knows, everybody knows, when there's two Mexicans in the ring, there will be a war.
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Bore children, and they stop reading. There's no room for self-indulgence or showing off or setting the scene.
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In his owen grese I made him frie.
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Much of my inspiration definitely comes from the human experience. I'm really inspired by love like a lot of people are. My art, my childhood, and changes and transitions in life and how they impact me and cause me to write music.
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There are enough negative images of Black women out there and I did not want to portray Dorothy Vaughn in any stereotype. I wanted to make sure that her integrity was preserved.
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I first wrote about Michael Jackson in the 1980s. His skin was growing paler, his features thinner, and his aura more feminine. Some called him a traitor to his race. Some fussed about his gender fluidity. I saw him as a post-modern shape-shifter. But the shifts grew more extreme and mysterious.
